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</script><h1>Arrangement for: <a href="http://en.instr.scorser.com/SS/Guitar/All/All.html">Guitar</a> <a href="http://en.instr.scorser.com/SS/Violin/All/All.html">Violin</a> </h1><h2>Composition: <a href="http://en.instr.scorser.com/CC/Piano/Franz+Schubert/Arpeggione+Sonata.html">Arpeggione Sonata</a></h2><h2>Composer: <a href="http://en.instr.scorser.com/C/Piano/Franz+Schubert/All/Alphabeticly.html">Schubert Franz</a></h2><h2>Arranger: Ming-Jui Liu</h2><h2>Download free scores:</h2><a rel="nofollow" href="http://en.instr.scorser.com/D/336301.html" target="_blank"">Complete. For Guitar and Violin (Liu). Complete Score PDF 1 MB</a><a rel="nofollow" href="http://en.instr.scorser.com/D/336302.html" target="_blank"">Complete. For Guitar and Violin (Liu). Violin PDF 0 MB</a><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Arpeggione_Sonata">Wikipedia</a><div class="p">The Sonata in A minor for Arpeggione and Piano, D. 821, was written by <a href="http://en.instr.scorser.com/C/Piano/Franz+Schubert/All/Popularity.html">Franz Schubert</a> in Vienna in November 1824. The sonata is the only substantial composition for the arpeggione (which was essentially a bowed guitar) which remains extant today. The sonata was composed in November 1824, about a month after he had returned to Vienna from his second stay in Zseliz.</div><div class="p">The piece was probably commissioned by Schubert's friend Vincenz Schuster, who was a virtuoso of the arpeggione, an instrument which had been invented only the previous year. By the time the sonata was published posthumously in 1871, the enthusiasm for the novelty of the arpeggione had long since vanished, together with the instrument itself.</div><div class="p">The work consists of three movements. A typical performance takes just over 20 minutes.</div><div class="p">Today, the piece is heard almost exclusively in transcriptions for cello and piano or viola and piano that were arranged after the posthumous publication, although versions that substitute other instruments—including double bass, flute, euphonium and clarinet for the arpeggione, or guitar or harp for the piano part—are also performed. Transcribers have attempted to address the problems posed by the smaller playing range of these alternative instruments, in comparison with the arpeggione, as well as the attendant modifications in articulation (4 versus 6 strings).</div><div class="p">Notable arrangements include:</div><div class="p">The work has been recorded in the original version by the following musicians:</div></body></html>