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</script><h1>Giuseppe Becce</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Giuseppe+Becce/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Accordion</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Giuseppe_Becce">Wikipedia</a><div class="p">Giuseppe Becce (3 February 1877 – 5 October 1973) was an Italian-born film score composer who enriched the German cinema.</div><div class="p">Becce was born in Lonigo/Vicenza, Italy. He showed his musical talents early and was named the director of the student musical orchestra at the Padua University when he studied geography. In 1906 he moved to Germany and studied musical composition with Arthur Nikisch and <a href="http://en.instr.scorser.com/C/Accordion/Ferruccio+Busoni/All/Popularity.html">Ferruccio Busoni</a>. In the 1913 silent movie Richard Wagner, directed by Carl Froelich, Becce played the title role and wrote the accompanying music. He continued to write such music for a series of subsequent movies. A collection of these pieces, the so-called "Kinothek" was published between 1919 and 1933 by the Verlag Schlesinger'sche Buchhandlung in Berlin.</div><div class="p">From 1915 to 1923, Becce was the director of the little orchestra of the Berlin Mozartsaal cinema, located upstairs at the Neues Schauspielhaus in the Nollendorfplatz. After World War I, he was named to direct the music department of the Decla-Bioscop AG and chief director of its movie orchestra, later to become the Universum Film AG (UFA) orchestra. He also worked at major movie theatres as director of the orchestras, among them the Ufa-Pavillon am Nollendorfplatz in 1921, the Tauentzien-Palast from 1923, and the Gloria Palast from 1926. In this position he worked with the famous directors of the German silent movie era, namely Fritz Lang, Friedrich Wilhelm Murnau, Georg Wilhelm Pabst, Ernst Lubitsch, Ludwig Berger, Joe May and Berthold Viertel; he arranged and composed music for their movies. In 1920 Becce published the magazine Film-Ton-Kunst. In 1927 he published, together with Hans Erdmann and Ludwig Brav, the Allgemeines Handbuch der Filmmusik; it was based on his Kinothek, amongst other items, and enabled the pianist of silent movies to accompany movies in the generalized style and motifs of renowned composers.</div><div class="p">With the arrival of sound movies Becce worked on musical movies and movies covering opera or operetta themes. He worked with Leni Riefenstahl, Luis Trenker, and Harald Reinl whose mountain films he scored. Becce was very prolific providing music to movies for more than four decades; he commonly mixed his own compositions with creations of other composers.</div><div class="p">Becce died in Berlin and is buried in the cemetery of Berlin-Wilmersdorf, Berliner Straße.</div><div class="p">(by reference number)</div></body></html>