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</script><h1>Lucien Capet</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Lucien+Capet/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Accordion</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Lucien_Capet">Wikipedia</a><div class="p">Lucien Louis Capet (8 January 1873 – 18 December 1928) was a French violinist, pedagogue and composer.</div><div class="p">Capet came from the Paris proletariat. By the age of fifteen, he had to maintain himself by playing in bistros and cafes. He studied at the Conservatoire de Paris where he was a pupil of Jean-Pierre Maurin and later appeared as soloist with French orchestras. Between 1896 and 1899, he was the concertmaster of the orchestra of the Concerts Lamoureux. He also taught violin at the Société Sainte-Cécile de Bordeaux (1899–1903). His notable students include Jascha Brodsky and Ivan Galamian, both of whom became influential violin teachers of the latter part of the twentieth century.</div><div class="p">Lucien Capet had a successful career as a soloist and chamber musician, forming the Capet Quartet in 1893. The quartet went through many changes of personnel and made several recordings of Beethoven string quartets and Romantic and Classical works. Capet was also a well-regarded teacher, known especially for his bow technique.</div><div class="p">With the violinist and chamber musician Suzanne Chaigneau, Capet founded the Institut moderne du violin in 1924.</div><div class="p">Capet wrote a book on "Superior Bowing Technique" which is an essential treatise on all aspects of bowing technique for the violin; reprints are available (including translations into English by Margaret Schmidt and Stephen Shipps).</div><div class="p">Lucien Capet also worked closely with bowmaker Joseph Arthur Vigneron to develop a Lucien Capet model bow (modele Lucien Capet was often stamped on such bows). Vigneron's concept/design for these bows was a sort of rounded triangular cross section, which added stability to the bow (lower centre of gravity)."</div><div class="p">Mr. Capet is a Master performer on the violin with a wonderful technique and a warm and powerful tone.</div><div class="p">(Made c.1925-1930)</div></body></html>