Composers

Alfredo D'Ambrosio

Violin
Piano
Orchestra
Cello
String ensemble
Viola
Double bass
Piece
Serenade
Canzonetta
Suite
Romance
Concerto
Airs
Aubade
Ballades
Berceuse
by popularity

#

2 Pieces, Op.352 Pieces, Op.382 Pieces, Op.534 Pièces d'orchestre, Op.3

A

Aria, Op.22Aubade, Op.17

B

Ballade, Op.39Berceuse, Op.15

C

Canzonetta No.1, Op.6Canzonetta No.2, Op.28Caprice-sérénade, Op.31Cavatine, Op.13

E

En Badinant

I

Introduction et Humoresque, Op.25

M

Mazurka, Op.11

N

Napoli-Serenade, Op.54Novelletta No.1, Op.16Novelletta No.2, Op.20

O

Orientale, Op.24

P

PavanePetite Suite, Op.37

R

Racconto, Op.44RêveRêverie, Op.18Romance, Op.27Romance, Op.9

S

Serenade, Op.4Serenata, Op.40Serenatella, Op.50Sicilienne, Op.14Spleen, Op.5Strimpellata, Op.12String Quartet, Op.42Suite, Op.8

V

Violin Concerto No.1, Op.29Violin Concerto No.2, Op.51
Wikipedia
Alfredo D'Ambrosio (13 June 1871, in Naples – 29 December 1914, in Nice or 31 December 1914, in Paris) was an Italian composer and violinist. He studied under Enrico Bossi at the Conservatory "San Pietro a Majella" in Naples, and later with Pablo de Sarasate in Madrid, and August Wilhelmj in London. He then settled in Nice, and devoted himself to his compositions and his work as a teacher. His brother Luigi d'Ambrosio was also a violinist and later teacher of Salvatore Accardo.
Alfredo D'Ambrosio is the author of the opera Pia de' Tolomei, based on Dante Alighieri's Divine Comedy, the ballet Hersilia, two Violin Concertos, a String Quartet in C minor Op.42 (1908) and a Quintet, as well as various concert pieces for violin and piano, which had a certain popularity in the early 20th century. His 1st Violin Concerto (in B minor Op.29, dedicated to Arrigo Serato) was written from April to October 1903 and premiered on 29 October 1904. The 2nd Violin Concerto (in G minor Op.51, dedicated to Jacques Thibaud) premiered by Georges Enesco on 6 April 1913 in Paris, conducted by the composer.
His best-known work is his Canzonetta Op. 6, which he recorded in 1907. More recordings of this piece were made in 1914 by Alexander Petschnikoff (1873-1948), Mischa Elman in 1921, and 1924 Toscha Seidel and Georg Kulenkampff in 1924. In addition, there is also his Serenade Op. 4 recorded in 1919 by Jascha Heifetz and by George Enescu in 1924.