Friedrich Ernst Fesca
3 String Quartets, Op.1Psalm 103, Op.26Psalm 9, Op.212 String Quartets, Op.73 String Quartets, Op.23 String Quartets, Op.3Andante and Rondo for Horn and Orchestra, Op.39Flute Quartet No.1, Op.37Flute Quartet No.2, Op.38Flute Quartet No.3, Op.40Flute Quartet No.4, Op.42Flute Quintet, Op.22Overture in C major, Op.43Overture in D major, Op.41Potpourri for Horn and String Quartet, Op.29Potpourri No.1 in C major, Op.6aPotpourri No.2, Op.11String Quartet, Op.12String Quartet, Op.14String Quartet, Op.34String Quartet, Op.36String Quartet, Op.4String Quintet, Op.15String Quintet, Op.20String Quintet, Op.8String Quintet, Op.9Vögel singen, Blumen blühen
WikipediaFriedrich Ernst Fesca (February 15, 1789 – May 24, 1826) was a German violinist and composer of instrumental music.
He was born at Magdeburg. His father, Johann Peter August Fesca, was the market judge of Magdeburg and active in the musical part in the city; he devoted much of his time to the practice of the violoncello and piano. His mother was a singer educated under
Johann Adam Hiller and Marianne Podleska; she had been a professional vocalist in early life.
Friedrich received his early musical education in Magdeburg and completed his studies at Leipzig under Thomaskantor
August Eberhard Müller. When he was but four years of age, he could perform pieces of moderate difficulty upon the piano, and began the study of the violin. At the early age of fifteen he appeared before the public with several concertos for the violin, which were received with general applause, and resulted in his being appointed leading violinist of the Leipzig Gewandhaus Orchestra. This position he occupied till 1806, when he became concertmaster to the duke Peter I of Oldenburg. In 1808 he was appointed solo-violinist by King Jerome of Westphalia at state theater of Cassel, and there he remained till the end of the French occupation (1814), when he went to Vienna, and soon afterwards to Karlsruhe, having been appointed concertmaster to the grand duke of Baden.
His failing health prevented him from enjoying the numerous and well-deserved triumphs he owed to his art, and in 1826 he died of consumption at the early age of thirty-seven.
Fesca's son
Alexander also achieved some note as a composer.
As a virtuoso, Fesca ranks amongst the best masters of the German school of violinists, the school subsequently of
Spohr and of
Joachim. Especially as leader of a quartet he is said to have been unrivaled with regard to classic dignity and simplicity of style. Amongst his compositions, his quartets for stringed instruments and other pieces of chamber music are the most remarkable. His three symphonies (No. 1 in E♭, Op. 6; No. 2 in D, Op. 10; No. 3 in D, Op. 13) along with chamber works were still listed in Augener's catalog as late as 1861 His two operas, Cantemire and Omar and Leila, were less successful. He also wrote some sacred compositions, and numerous songs and vocal quartets.
