Composers

Jenő Hubay

Violin
Piano
Orchestra
Voice
Mixed chorus
Viola
Cello
Pump organ
Organ
Clarinet
Piece
Dance
Czardas
Concerto
Operas
Étude
Song
Mazurka
Lied
Fantasia
by popularity

#

10 Études concertantes, Op.8910 Pièces caractéristiques, Op.792 Mazurkas de concert, Op.542 Mazurkas, Op.452 Morceaux, Op.372 Morceaux, Op.382 Morceaux, Op.592 Pieces, Op.152 Pieces, Op.62 Pieces, Op.743 Morceaux caractéristiques, Op.463 Morceaux, Op.103 Morceaux, Op.483 Morceaux, Op.523 Morceaux, Op.583 Pieces, Op.143 Stücke, Op.955 Konzertetüden, Op.1155 Morceaux caractéristiques, Op.516 Etüden, Op.636 Poèmes hongrois, Op.276 Stücke, Op.1217 Lieder, Op.61

A

A cremonai hegedűs, Op.40A falu rossza, Op.50Adieu, Op.111Anna Karenina, Op.112

B

Blumenleben, Op.30

C

Capriccio de Concert, Op.86 No.3Carmen Fantasie

F

Fantaisie tziganesque, Op.55Frühlings Liebeslied, Op.120

I

Impressions de la Puszta, Op.44

L

Lavotta szerelme, Op.96

M

Morceau de Concert, Op.20Mosaïque, Op.49

N

Nocturne No.2, Op.73Nocturne, Op.42

P

Puszta-Klänge, Op.7

R

Romance, Op.25

S

Scènes de la Csárda No.1, Op.9Scènes de la Csárda No.10, Op.69Scènes de la Csárda No.14, Op.117Scènes de la Csárda No.2, Op.13Scènes de la Csárda No.3, Op.18Scènes de la Csárda No.4 'Hejre Kati', Op.32Scènes de la Csárda No.5 'Hullámzó Balaton', Op.33Scènes de la Csárda No.6, Op.34Scènes de la Csárda No.7, Op.41Scènes de la Csárda No.8, Op.60Scènes de la Csárda No.9, Op.65Scènes d'enfants, Op.84Scherzo, Op.80Sonate romantique, Op.22Suite, Op.5

U

Ungarische Rhapsodie

V

Variations sur un theme hongrois, Op.72Vegvari dalok, Op.113Violin Concerto No.1 'Concerto dramatique', Op.21Violin Concerto No.2, Op.90Violin Concerto No.3, Op.99Violin Concerto No.4 'all' Antica', Op.101

W

Walzer-Paraphrase, Op.105
Wikipedia
Jenő Hubay, Jenő Hubay von Szalatna, Hungarian: szalatnai Hubay Jenő (Hungarian pronunciation: [ˈjɛnøː ˈhubɒi]; 15 September 1858 – 12 March 1937), also known by his German name Eugen Huber (pronounced [ˈɔʏɡeːn ˈhuːbɐ]), was a Hungarian violinist, composer and music teacher.
Eugen Huber was born into a German family of musicians in Pest, Hungary. He adopted the Hungarian version of his name, Jenő Hubay, in his twenties, while living in the French-speaking world.
Hubay was trained in violin and music by his father, Karl Huber (Károly Huber, later Károly Hubay) from Varjas (Romanian: Variaș), concertmaster of the Hungarian National Opera House and a teacher at the Budapest College of Music. His mother was of Italian descent. He gave his début public performance playing a concerto at the age of eleven.
At the age of thirteen, Hubay began his studies in Berlin. He remained there for five years, receiving instruction from Joseph Joachim. In 1878, following the advice of Franz Liszt, he made his début in Paris, which was a great success. Sitting in the audience was Henri Vieuxtemps, with whom Hubay formed an intimate friendship and from whom he received instruction.
In 1882 Hubay was employed at the Brussels music institute as the head of the department of violin studies. Returning to Hungary in 1886, he succeeded his father as head of the Liszt Academy. That same year, he established the Budapest Quartet with fellow teacher, cellist David Popper.
Hubay's main pupils, aside from Joseph Szigeti and André Gertler, included Eugene Ormandy—who later turned to conducting—and Eugene Lehner. He taught many female violinists, including Stefi Geyer, Jelly d'Arányi and Ilona Fehér. Other pupils included Franz von Vecsey, Emil Telmányi, Carl von Garaguly, Zoltán Székely, Tibor Varga, Gerhard Taschner, Ede Zathureczky and the Italians Gianni Pavovich, and Wanda Luzzato.
As a soloist, Hubay gained the praise of Vieuxtemps, Johannes Brahms and many others.
As a chamber musician, he formed two string quartets, one while he was in Brussels and one with David Popper during his Budapest (Budapest Quartet) years. With Popper, he performed chamber music on more than one occasion with Brahms, including the premiere of Brahms's Piano Trio No. 3 in C minor, Op. 101.
Among his earliest recordings are ten-inch acoustic discs, dating from 1910, on which he was accompanied by the composer Zsigmond Vincze.
Hubay composed four violin concertos and a very large number of encore pieces. His concertos incorporate themes from Hungarian gypsy music, and his "gentle breeze" pieces, which share features of the compositional style of his chamber music partner, David Popper, continue the tradition of the German romantics such as Felix Mendelssohn and Robert Schumann.
Hubay's output also contains several operas, including The Venus of Milo, The Violin-Maker of Cremona, The Mask and Anna Karenina (after Leo Tolstoy). The opening of The Venus of Milo is based on whole tone scales and archaisms that perhaps are meant to suggest the ancient setting.