Composers

Liana Alexandra

Piano
Orchestra
Cello
Clarinet
Flute
Violin
Voice
French horn
Viola
Mixed chorus
Piece
Cantatas
Writings
Secular cantatas
For beginners
Symphony
Song
Concerto
Music theory
Theory
by popularity

#

12 Microtonal Variations2 Images2 Poems for Soprano and Piano2 Songs against Death2 Studies2 Waltzes3 Images3 Pythagorean Dances3 Studies4 Sequences4 Songs without Words5 Miniatures5 Movements5 Paraphrases6 Variations8 Studies

A

A Sojourn of the SpiritA TreAllegro veloce e caratteristicoAlto Saxophone ConcertoAncestraleArrangements of 2 Israeli Songs

B

BarcarolaBassoon Quartet

C

Cadenza for PianoChant d'Amour de la Dame a la LicorneClarinet Concerto, Op.6Clarinet QuartetClarinet SonataCollagesConcertant Music, Op.10Concerto for Flute, Viola and Chamber Orchestra, Op.23Concerto for Piano Four-HandsConcerto for String OrchestraConsonances IConsonances IIConsonances IIIConsonances IVConsonances VConsonances VIConsonances VII

D

Dancing VisionsDe dor si de bucurie

E

Early CompositionsElegy

F

Fantasy for Cello and PianoFast VariationFlute Sonata No.1Flute Sonata No.2FrancescaFratii mei de Romanie

G

Good Morning, Sue

H

Harmony ExercisesHomage to the American Pioneers

I

Images interruptedIn the LabyrinthIncantations IIncantations IIIncantations IIIInterrupted WaltzIntersectionsIntinderea instrumentelor orchestrei simfonice moderne

L

La curtile doruluiLarghetto for String OrchestraLaudaLyrical Sequence, Op.4

M

Melody for Cello and PianoMelody for HoedownMelody for Orange FiddleMusic for Clarinet, Harp and PercussionMusic for Het TrioMusical Composition, an Ineffable Act between Fantasy and Mathematical Rigor

O

Oboe ConcertoOde to the Romanian ArmyOpus PosthumOrgan Concerto

P

Parallel MusicsParaphrase on 'Jerusalem of Gold'Pastorale for Bass Clarinet and PianoPastorale for Symphony OrchestraPastorale for Wind OrchestraPercussion ConcertoPiano Sonata No.1Piano Sonata No.2Polyphonic Tonal AnalysesPortrait d'une femme

Q

Quasi Cadenza for ClarinetQuasi Cadenza, Op.27

R

Relationship Between Mosaic and Musical FormsResonancesRhythms

S

Scheme si analize de forme omofone tonaleSextetSintaxe omofone tonaleSolfeggiosSolo for XylophoneSonata for 6 HornsSong without WordsString Quartet No.1String Quartet No.2String Quartet No.3String Quartet No.4Study of ShadesSymphonic PoemSymphony No.1, Op.1Symphony No.2 'Hymns', Op.16Symphony No.3 'Diachronies', Op.24Symphony No.4, Op.28Symphony No.5Symphony No.6Symphony No.7Symphony No.8 'Variations'Symphony No.9 'Jerusalem'

T

Techniques of OrchestrationThe Last WaltzThe Little MermaidThe Snow QueenThe Spoiled TomcatThe Sun and the MoonThe VoiceThoughts about Music and MusiciansTo PeaceTrio ''SueLiaSer'' Repertoire

V

ValencesVegnera sta primaveraVisual Modulation of a Musical Structural Motive

W

WaltzWelcome Rich

Ţ

Ţară pământ, ţară idee, Op.14
Wikipedia
Liana Alexandra (born Liana Moraru; 27 May 1947 – 10 January 2011) was a Romanian composer, pianist and music educator.
Alexandra was born in Bucharest, Romania. From 1965 to 1971, she studied at the Ciprian Porumbescu Conservatory (now the National University of Music Bucharest) under Tudor Ciortea and Tiberiu Olah and took composition courses in 1974, 1978, 1980 and 1984 in Darmstadt, Germany. She had a doctorate in musicology and taught composition, orchestration, and music analysis at the Conservatory from 1971 until her death in 2011. A prolific composer in the neoromantic style, Alexandra had over 100 of her works performed and published in Romania. According to musicologist Octavian Cosma, she was "in her element with orchestral and chamber music, employing repetitive and evolving techniques, with melodic lines which suggest lyricism and meditation" and an instrumentation that used "a palette of delicate, pastel colours." Alexandra married the Romanian cellist and composer Şerban Nichifor in 1978. They performed together as Duo Intermedia from 1990 and were co-directors of the Nuova Musica Consonante - Living Music Foundation Festival.
Liana Alexandra died at her home in Bucharest of a cerebral hemorrhage at the age of 63. On 12 January 2011, two days after her death, the broadcast Univers muzical românesc on Radio România Muzical was dedicated to her. In May of that year, Liana Alexandra: Marturii despre muzica ei (Liana Alexandra: Confessions about her Music) was published by Editura Stephanus in a bilingual Romanian and English edition. Edited by Şerban Nichifor, the book is an anthology of writings on Alexandra's music by composers, critics and musicologists including Viorel Cosma, Grete Tartler, Robert Voisey, and Jacques Leduc. Later that month, her 1987 opera În labirint (The Maze) was performed in her memory by the Banatul Philharmonic of Timișoara as the closing concert of the Timișoara International Music Festival (31 May 2011).
Alexandra's compositions have won numerous prizes and honors, including:
Symphonic, vocal-symphonic and concert music
Opera
Chamber music
Books
Alexandra was a member of the Vox Novus consortium. Several of her compositions for the consortium's 60x60 project appear on:
Her 1981 choral work Soarele Si Luna appears on:
Further reading