Composers

Philippe de Monte

Voice
Soprano
Alto
Bass
Mixed chorus
Tenor
Madrigal
Religious music
Motet
Song
Mass
Sacred songs
Chanson
Psalms
Magnificat
Vesper
by popularity

#

7 Masses

A

A l'apparir del solAd te, Domine, levavi animam meamAhi chi mi romp'il sonnoAhi dove lasso me prieghi e paroleAmor, che sol de i cor leggiadri ha curaArdo, sospiro e piango, e sì mi piaceAsperges me, DomineAssumpta est Maria in caelum

B

Benedictio et claritasBonjour mon coeur

C

Chi non sà come altrui duo chiari lumi

D

Dico, che da quel punto, ch'infiammarsiDittes maitresseDolce mia vita, da cui vivo e moro

F

Factum est silentiumFantasia sopra Que me servent

G

Gaudent in caelis animae SanctorumGià avea l'eterna mano d'ogni sua stellaGiunto m'à Amor fra belle et crude braccia

H

Hodie nobis cœlorum Rex

I

I begl'occhi und'ioInclina cor meum

L

La bocca, onde l'asprissimeLa donna che ’l mio cor nel viso portaLa grand' amourLaudate Dominum

M

Ma non di minor fregioMadrigali a 3 voci, Libro 1Madrigali a 4 voci, Libro 1Madrigali a 4 voci, Libro 2Madrigali a 4 voci, Libro 3Madrigali a 4 voci, Libro 4Madrigali a 5 voci, Libro 1Madrigali a 5 voci, Libro 10Madrigali a 5 voci, Libro 3Madrigali a 5 voci, Libro 4Madrigali a 5 voci, Libro 5Madrigali a 5 voci, Libro 7Madrigali a 5 voci, Libro 8Madrigali a 5 voci, Libro 9Madrigali à 6 voci, Libro 1Madrigali à 6 voci, Libro 2Madrigali à 6 voci, Libro 3Madrigali à 6 voci, Libro 4Madrigali spirituali a 5 voci, Libro 1Madrigali spirituali a 6 voci, Libro 1Magnificat octavi toniMagnificat primi toniMentr'ameranno i nudi pesci l'ondeMissa Aspice DomineMissa super BenedictaMissa Ultimi miei sospiriMotetti, Libro 4

N

Ne pur si duro esilio e lontanzaNon vedete voi donna il mio tormento

O

O beata colei, ch'al fin puo direO chi potra mai ben chiuder'in versiO mia lieta ventura, hor quale stellaO suavitas et dulcedoO voi ch'avete di pietade il visoOime dov'è'l mio core?Ove lontan da la mia fida luce

P

Peccantem me quotidiePie Jesu, virtus meaPoi c'hor è dolce ogni passato scempio

Q

Qual più scontento amante alberga in terraQuel desir, c'hebbi in sù la vista prima

R

Regina coeli laetare

S

Satiati Amor, ch'à piu doglioso amanteS'io odo alcun felice, e lieto amanteSpesso à consiglio i miei pensier convocoStella quam viderant magiSuper flumina BabylonisSurrexit Pastor bonus

V

Vago monte, fiorite ombrose piaggeVerament'in amoreVerbum caro factum estVissimi un tempo in dolce foco ardendoVolentier canterei de vostri honoriVostro fui, vostro son, e sarò vostro
Wikipedia
Philippe de Monte (1521 – 4 July 1603), sometimes known as Philippus de Monte, was a Flemish composer of the late Renaissance active all over Europe. He was a member of the 3rd generation madrigalists and wrote more madrigals than any other composer of the time. Sources cite him as being "the best composer in the entire country, particularly in the new manner and musica reservata." Others compare his collections of music with that of other influential composers, such as Lassus.
Philippe de Monte was born in Mechelen. After boyhood musical training at St. Rumbolds Cathedral in Mechelen, where he was a choirboy, Monte went to Italy — a common destination for a young Flemish composer in the sixteenth century – where he made a name for himself as a composer, singer, and teacher. He lived and worked in Naples for a while, and in Rome, in the employ of Cardinal Orsini, although he was in England for a brief period, 1554–1555, during the reign of Queen Mary I, while she was married to King Philip II of Spain. Monte reported that he disliked working in Philip's choir since all the other members were Spaniards.
"Though Monte was not likely to have been a supporter of the Reformation, he took part in a variety of intellectual exchanges on sensitive topics, some of which involved Italian academics."
In 1568 Monte was appointed as successor to Jacobus Vaet as Kapellmeister to the chapel of Maximilian II. A majority of his music was published in Venice under the direction of Gardano, Monte's exclusive publisher in Italy. He wanted to utilize Italian publishers in order to stay close to the home of the madrigal. He was successful at recruiting new musicians to the chapel, for Lassus himself noted the astonishing quality of music-making in Vienna just two years after Monte became leader there. During his first ten years at the Imperial Court, Monte served as an active teacher. Monte worked for the remainder of his long life in Habsburg courts both in Vienna and, since 1583, Prague. Even though his accomplishments were many, he is not known to have held any positions as a church musician or in a noble household. Philippe de Monte died in Prague in 1603.
Monte was a hugely prolific composer, and wrote both sacred and secular music, primarily printed in the German language. He wrote about 40 masses and about 260 other sacred pieces, including motets and madrigali spirituali (works differing only from madrigals in that they have sacred texts). He published over 1100 secular madrigals, in 34 books, but not all of them survived. His first publication was in 1554 when he was 33. Most of his publications, from then on, included self-written prefaces that were primarily utilized to express his gratitude to patrons of financial support.
Monte's madrigals have been referred to as "the first and most mature fruits of the compositions for five voices." Stylistically, Monte's madrigals vary from an early, very progressive style with frequent use of chromaticism to express the text (though he was not quite as experimental in this regard as Marenzio or Lassus), to a late style which is much simplified, featuring short motifs and frequent homophonic textures. Some of his favorite poets of the time included Petrarch, Bembo, and Sannazaro. Unlike Monteverdi, who began in a conservative style and became experimental later in life, Monte's compositional career had an opposite curve, progressing from experimentation to unity and simplicity in his later works. Some believe that this comes from his change in poetry selections, whereas others believe it was a reflection from the imperial courts.
Philippe de Monte was renowned all over Europe; editions of his music were printed, reprinted, and widely circulated. He has been described as "a quiet, unassuming man, gentle as a girl." He had many students, including Gian Vincenzo Pinelli from Padua, thereby passing on his compositional skills and experience to the generation who developed the early Baroque style. Believed to be one of the most prominent composers, Philippe de Monte's madrigals are still performed today.