Composers

Rhené-Baton

Piano
Voice
Orchestra
Violin
Flute
Cello
Organ
Oboe
Clarinet
Bassoon
Song
Piece
Dance
Chanson
Melody
Sonata
Suite
Prelude
Ballades
Marche
by popularity

#

2 Mélodies, Op.182 Prières du soir, Op.273 Mélodies, Op.154 Chansons pour le jour de noël, Op.265 Mélodies, Op.166 Préludes

A

Album RoseAu coin de l'âtre, Op.29Au pardon de Rumengol, Op.25Aubade, Op.53

B

Ballade No.2, Op.43Ballade, Op.22Bourrée, Op.42

C

Cello Sonata, Op.28Chansons bretonnes, Op.21Chansons douces, Op.7Chansons pour Marycinthe, Op.50Cortège funèbre d’un Samouraï, Op.37

D

Dans la clairière, Op.36Dans le Style Rococo, Op.23Dans un coin de violettes, Op.20Danse à sept temps, Op.30Danse de la Saint-Jean en pays tregorrois, Op.40Danse pour Anne de Bretagne, Op.44Danses Françaises de la Renaissance

E

En Bretagne, Op.13En Vacances, Op.38Etude in A minor

F

Fantaisie orientale, Op.34

H

Hindoustana

I

Idylle morte

L

La mort des amantsLe clocherLes heures d’été, Op.14

M

Marche des rois mages, Op.39Menuet pour Monsieur Frère du Roy, Op.5

P

Passacaille, Op.35Piano Trio, Op.31Poème élégiaque, Op.32Potiron, Op.58Pour celles qui restent, Op.52Pour la Jeunesse, Op.51Pour les funérailles d'un marin breton, Op.33Pour YvonnePrélude in D minor

R

Rêve grisRiver-side, Op.49

S

Sérénade fantasqueSuite ancienne, Op.55

T

Testament

V

Valse romantique, Op.45Variations en mode éolien, Op.4Vieille Chapelle, Op.41Violin Sonata No.2, Op.46Violin Sonata, Op.24
Wikipedia
René-Emmanuel Baton, known as Rhené-Baton (5 September 1879 – 23 September 1940), was a French conductor and composer. Though born in Courseulles-sur-Mer, Normandy, his family originated in Vitré in neighbouring Brittany. He returned to the region at the age of 19, and many of his compositions express his love of the area. He also had close relationships with composers of the Breton cultural renaissance, notably Guy Ropartz, Paul Le Flem, Paul Ladmirault and Louis Aubert. As a conductor he was notable for his attempts to expand appreciation of classical music.
He studied piano at the Paris Conservatory and learned music theory under André Gedalge. He began his career as a chef de chant at the Opera-Comique in 1907. He was then appointed as musical director of various orchestral groups, notably the Society of Saint Cecilia in Bordeaux and Angers Société populaire (1910–1912).
In 1910 he was chosen to head the "Festival of French music" in Munich, Germany. Serge Diaghilev requested that he conduct the Ballets Russes in London and South America (1912–1913). During World War I he was the head of the Dutch Royal Opera (1916–18) and held summer concerts of the Orchestra in Residence of the Hague in Scheveningen (1914–19). Although his recordings are few, on 14, 17, and 18 October 1924 with the Pasdeloup Orchestra he committed to disc the first ever recording of Hector Berlioz's Symphonie fantastique.
Serge Sandberg entrusted him with the direction of the Pasdeloup concert (the French "Proms"), the mission of which was to democratise access to music, providing commentary and analysis prior to the performance of works. He organized this event until 1932 and continued to lead the orchestra until the end of his life. He died at Le Mans.
He created the first performances of a number of notable musical works:
Arthur Honegger dedicated Le Chant de Nigamon (1918) to Rhené-Baton, as did Albert Roussel with his 2nd symphony (1923).
Rhené-Baton composed pieces for orchestra, chamber ensembles and a large number of piano works. His 6 Songs for Marycinthe were created at the request of Maurice Duhamel. Breton subjects appear frequently in his works, such as "Au pardon de Rumengol", "En Bretagne", "Vieille chapelle en Cornouaille". He also set to music the poems of Auguste Brizeux (Le Clocher) and Louis Tiercelin (Chansons bretonnes). Some of his works were influenced by the vogue for orientalism at the time. A founding member of the Association des Compositeurs Bretons in 1912, he composed many works using a Breton folk idiom.
In July 2019 Brilliant Classics released a double CD album dedicated to Rhené-Baton's chamber music for strings and piano, performed by the Wolferl Trio, which includes three premier recordings of the Violin Sonatas No. 1 and 2, the Suite ancienne, the Cello Sonata and the Piano Trio.