Composers

Salvatore Pappalardo

Violin
Cello
Viola
Voice
Orchestra
Tenor
Piano
Mixed chorus
Baritone
Double bass
Quartet
Hymn
Sacred hymns
Religious music
Quintet
Duet
Trio
Antiphon
Étude
by popularity
Grand Duet for 2 Violins in C major, Op.84Grand Duet No.1 for 2 Violins in D minor, Op.11Piano Trio in G minor, Op.78Salve Regina No.1 in B-flat majorString Quartet in C minor, Op.45String Quartet No.1 in C major, Op.4String Quartet No.2 in G minor, Op.5String Quartet No.3 in A-flat major, Op.6String Quintet No.1 in D majorString Quintet No.2 in G minor, Op.25String Quintet, Op.81Tantum Ergo No.3 in D majorTantum Ergo No.4 in A-flat major, Op.22Vertice del Parnaso, Op.86
Wikipedia
Salvatore Pappalardo (1817–1884) was an Italian composer and conductor.
Born in Catania, Pappalardo began his studies in his home city before entering the Palermo Conservatory where he studied under Pietro Raimondi. He worked as a music teacher and was a conductor at the opera house in Catania until he moved to Naples in 1845 when he was made the court composer for Prince Leopold, Count of Syracuse. He later worked as a teacher of music theory and composition in Naples. He died in Naples in 1884.
Pappalardo's work as a composer was mainly directed towards composing operas and other music for the theatre. He composed eight operas: Francesca da Rimini (1844), Il corsaro (Naples, 1846), La figlia del Doge (Catania, 1855), L'atrabiliare (Naples, 1856), Mirinda (Naples, 1860), Gustavo Wasa (Naples, 1865), Le diavolesse (Naples, 1878), and Le due ambasciatrici (never performed). He also composed a significant amount of church music. His most successful and innovative music however, was his chamber music; particularly his collection of art songs for voice and piano and a collection of string quartets and quintets. His chamber music was played throughout Italy and Germany.
N. Giannotta. Secoli di musica catanese (Catania, 1968)