Tommaso Giordani

String ensemble
Piano four hands
by popularity


12 Progressive Keyboard Lessons, Op.2514 Preludes and 8 Cadenzas, Op.333 Harpsichord Quartets, Op.33 Sonatas, Op.304 Keyboard Duettinos6 Cello Duos, Op.186 Duets for 2 Flutes, Op.76 Flute Concertos, Op.196 Flute Trios from Songs in the Italian Operas6 Flute Trios, Op.16 Flute Trios, Op.126 Harpsichord Quintets, Op.16 Keyboard Concertos, Op.146 Keyboard Concertos, Op.236 Sonatas for 2 German Flutes, or a German Flute and Violin, Set 26 Sonatas for Keyboard and Violin, Op.246 Sonatas for Keyboard and Violin, Op.46 Sonatas for Piano and Violin, Op.356 Sonatinas for Keyboard and Violin6 String Quartets, Op.26 String Quartets, Op.8


Addio di LondraAlcanzor and ZaydaAntigonoArtaserse


Caro mio ben


Il barone di Torre Forte


Keyboard Duet in C major


Lady Jane Grey's Lamentation


Queen Mary's Lamentation


Sonata for Keyboard 4-Hands in B-flat major


The Hermit, Op.20The Power of InnocenceTommaso Giordani


Vauxhall Songs
Tommaso Giordani (c. 1730 to 1733 – before 24 February 1806) was an Italian composer active in England and particularly in Ireland.
Giordani was born in Naples between 1730 and 1733 and came from a musical family. His father was Giuseppe Giordani senior, born around 1695 in Naples, died after 1762, probably in London (no relation to the Neapolitan organist Carmine Giordani b. 1685). A possible younger brother was Giuseppe Giordani (1751–1798), called "Giordanello". Tommaso was trained in Naples and moved with his father and siblings (including singer Nicolina) via Graz (1747), Salzburg and Frankfurt (1750), Amsterdam (1752) and Paris (1753) to London, where they performed four burlettas at Covent Garden in the 1753–4 season. Although the family performed in London for the next two years, Tommaso is not mentioned in the newspaper reports of the time.
His whereabouts in the following eight years are unknown. In 1764, he accepted an invitation to act as musical director of the Smock Alley Theatre, Dublin, where he stayed for the next three years, performing comic operas and co-produced the first ever opera seria to be performed in Ireland, L'eroe cinese (1766). Following accusations of plagiarism, he went back to London in 1767, where for the next 16 years he was relatively successful as an opera composer.
From 1783, Giordani returned to live in Ireland for the remainder of his life. He was particularly active in opera, as both composer and impresario. He had a stake in the short-lived 'English Opera House', which he founded in 1783 and which produced works by Irish composers and librettists, also in a music shop, neither of which was financially successful. Among his pupils were Lady Morgan, Thomas Simpson Cooke, and John Field, the inventor of the nocturne, who made his debut at one of Giordani's Rotunda concerts (4 April 1792). He died in Dublin.
Among Giordani's compositions are a number of operas and theatrical pieces, including Genius of Ireland (1784) and The Island of Saints, or The Institution of the Shamrock (1785), the oratorio Isaac (1767), and a large quantity of overtures, sonatas, concertos, quartets (mostly string quartets, though some with flute, keyboard or guitar), trios for violin, flute and basso continuo, songs, etc. He was organist of St Mary's Pro-Cathedral, Dublin, from 1784 to 1798, and conducted a Te Deum of his own at the celebration upon the recovery of King George III, 30 April 1789. His last opera, The Cottage Festival, was produced at the Theatre Royal, Dublin, 28 November 1796. Giordani composed in a tuneful, galant style and was often confronted with accusations of plagiarism.
The authorship of the popular arietta Caro mio ben (1783) is as yet uncertain. It is mostly ascribed to Tommaso, but sometimes to his father or to the younger Giuseppe Giordani.
Operas and other stage works (Dublin only)
Oratorios and cantatas (Dublin)
Orchestral music
Chamber music