Composers

Xaver Scharwenka

Piano
Orchestra
Piano four hands
Voice
Cello
Violin
Mixed chorus
Viola
Dance
Piece
Waltz
Sonata
Concerto
Minuet
Song
Impromptu
Polonaise
Variation
by popularity

#

2 Ballads, Op.852 Erzählungen, Op.52 Menuettes, Op.492 Merry Pieces, Op.872 Piano Pieces, Op.222 Piano Pieces, Op.512 Piano Pieces, Op.652 Piano Pieces, Op.672 Piano Pieces, Op.732 Polish Dances, Op.162 Polish Dances, Op.292 Polish Dances, Op.342 Polish Dances, Op.662 Romanzen, Op.252 Sonatinas, Op.522 Waltzes, Op.443 Klavierstücke, Op.203 Piano Pieces, Op.633 Piano Pieces, Op.683 Piano Pieces, Op.863 Polish Dances, Op.93 Songs, Op.154 Polish Dances, Op.584 Romanzero Stücke, Op.335 Polish Dances, Op.35 Tonbilder, Op.386 Etudes and Preludes, Op.276 Phantasiestücke, Op.506 Piano Pieces, Op.436 Waltzes, Op.28

A

Album for the Young, Op.62Arkadische Suite, Op.76Aus alter und neuer Zeit, Op.24

B

Ballade, Op.8Ballerinnerungen, Op.54Barcarolle, Op.14Bilder aus dem Süden, Op.39Bilder aus Ungarn, Op.26

C

Cello Sonata, Op.46

E

Eglantine Waltz, Op.84

H

Huldigungs-March, Op.55

I

Impromptu, Op.17

L

L'elite

M

Mataswintha, ScharWV.150MeisterschuleMenuett und Polnischer Tanz, Op.61Menuett, Op.18Methodik des Klavierspiels

N

Neuer Romanzero, Op.64Nordisches, Op.21

P

Pfalzgräfin JuttaPiano Concerto No.1, Op.32Piano Concerto No.2, Op.56Piano Concerto No.3, Op.80Piano Concerto No.4, Op.82Piano Quartet, Op.37Piano Sonata No.1, Op.6Piano Sonata No.2, Op.36Piano Trio No.1, Op.1Piano Trio No.2, Op.45Polish National DancesPolish National Dances, Op.40Polish National Dances, Op.47Polonaise, Op.12Polonaise, Op.42Polonaise, Op.7Prairieblumen, Op.53

R

Rhapsodie, Op.72Romanzero, Op.59

S

Scherzo con due Intermezzi, Op.19Scherzo, Op.4Suite de danses, Op.41Symphony, Op.60

T

Tarantelle, Op.11The Day-DreamTheme and Variations, Op.48Theme and Variations, Op.57Theme and Variations, Op.83

V

Valse brillante, Op.13Valse-Caprice, Op.31Valse-Caprice, Op.35Valse-Impromptu, Op.30Violin Sonata, Op.2

W

Wanderbilder, Op.23
Wikipedia
Franz Xaver Scharwenka (6 January 1850 – 8 December 1924) was a Polish-German pianist, composer and teacher of Bohemian-Polish descent. He was the brother of Ludwig Philipp Scharwenka (1847–1917), who was also a composer and teacher of music.
Scharwenka was born in 1850 in Samter, Prussia (Polish: Szamotuły; until 1793 and since 1919 part of Poland). His paternal ancestors originally came from Prague, then moved to Frankfurt on the Oder in 1696 - probably for reasons of faith - and settled thereafter in Samter. His father, August Wilhelm, was a gifted master-builder but decidedly did not have an ear for music. His mother, née Golisch, was an ethnic Pole from a family of some means, who was musically inclined and early on instilled in her children a love of music. Although he began learning to play the piano by ear when he was 3, Scharwenka did not start formal music studies until he was 15, when his family moved to Berlin and he enrolled at the Akademie der Tonkunst. Under Theodor Kullak, his pianistic skills developed rapidly, and he made his debut at the Singakademie in 1869. He taught at the academy until entering military service in 1873. Upon his discharge in 1874, Scharwenka began touring as a concert pianist. Praised for the beauty of his tone, he became a renowned interpreter of the music of Frédéric Chopin.
In 1881 Scharwenka organized a successful annual series of chamber and solo concerts at the Singakademie in conjunction with Gustav Holländer and Heinrich Grünfeld. That October he founded his own music school in Berlin. In 1886, he conducted the first in a series of orchestral concerts devoted to the music of Hector Berlioz, Franz Liszt and Ludwig van Beethoven while continuing to tour extensively and play his works in collaboration with other artists such as the conductor Hans Richter and the violinist Joseph Joachim. This triple role as pianist, composer and educator would occupy Scharwenka for the rest of his career.
In 1891, Scharwenka made his first tour of America. Deciding to emigrate, he opened a New York branch of his Scharwenka Music School. In 1893 the Berlin Scharwenka Conservatory was united with the Klindworth Conservatory, and in 1898 he returned there as Director, from New York. In 1914, with W. Petzet, he opened a School of Music with a piano teachers' seminary attached. Among pianists who received some instruction from him were José Vianna da Motta, Fridtjof Backer-Grøndahl and Selmar Janson. See: List of music students by teacher: R to S#Xaver Scharwenka. His Methodik des Klavierspiels was published in Leipzig in 1907.
Sometime in the very early 1900s he conducted Felix Mendelssohn's G minor Concerto, at which the composer and pianist Marthe Servine made her debut. Scharwenka made several recordings for Columbia Records in 1910 and 1913, including works of his own, as well as pieces by Chopin, Mendelssohn, Weber and Liszt: his account of Chopin's Fantaisie-Impromptu (Op. posth. 66) is admired. His playing is also preserved on Welte-Mignon and Hupfeld piano rolls, including the Chopin A-flat Waltz, Op 42, and the F minor Fantaisie (Op. 49), his performance of which was famous. Some of his Hupfeld rolls were also converted for the American Ampico reproducing piano.
He died in Berlin, Germany, in 1924.
Scharwenka's own compositions include an opera (Mataswintha), a symphony, four piano concertos, chamber music (all with piano part) and numerous piano pieces; his piano idiom somewhat resembles Schumann and Rachmaninoff.
The four piano concertos are substantial works. The first, in B-flat minor, Op. 32, was completed in 1874 and premiered the following year. It was originally written as a solo piano fantasy, but Scharwenka was dissatisfied, and reworked it with orchestra into this form. Franz Liszt accepted the dedication and performed it in Berlin. Its first recording was made in 1968 with Earl Wild and the Boston Symphony Orchestra under Erich Leinsdorf. Wild had learned the concerto as a boy under Selmar Janson, who had studied it directly with the composer. When Leinsdorf asked Wild to record the concerto, he was able to say "I've been waiting by the phone for forty years for someone to ask me to play this".
The fourth concerto, in F minor, Op. 82 (1908), was premiered on 18 October 1908 in the Beethovensaal, Berlin, with Scharwenka's student Martha Siebold as the soloist and the composer himself conducting.
Scharwenka's works were neglected for some years after his death; however, his "Polish Dance No. 1" in E-flat minor, Op. 3, No. 1, remained enormously popular. Since the mid-1990s, however, interest in his music has been rekindled, and recordings of most of his works are now commercially available. The recording of his Fourth Piano Concerto played by Stephen Hough with the City of Birmingham Symphony Orchestra conducted by Lawrence Foster was voted Record of the Year by the British music magazine Gramophone in 1996. His Symphony in C minor, Op. 60, received its CD premiere in 2004.