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</script><h1>Gussie Davis</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Gussie+Davis/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Balalaika</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Gussie_Davis">Wikipedia</a><div class="p">Gussie Lord Davis (December 3, 1863 – October 18, 1899) was an American songwriter born in Dayton, Ohio. Davis was one of America's earliest successful African-American music artists, the first black songwriter to become famous on Tin Pan Alley as a composer of popular music.</div><div class="p">Gussie Davis received musical training at the Nelson Musical College in Cincinnati, Ohio, where his application was rejected due to his color. Instead, he worked as a janitor at a low wage in exchange for private lessons. His first song was published in 1880, "We Sat Beneath the Maple on the Hill"; Davis published it himself, paying a local printer $20, and sold enough copies to make his money back plus a little more. He continued his songwriting efforts with increasing success, publishing many songs and attracting attention, including that of Cincinnati publisher and would-be lyricist, George Propheter.</div><div class="p">In 1886, when Propheter branched out his business to New York and Tin Pan Alley, Davis went with him. He worked steadily, performing as well as writing songs, and making a name for himself. By 1895, he was sufficiently well known to be selected to compete in a contest sponsored by the New York World to find the ten best songwriters in the nation; he placed second with his song, "Send Back the Picture and the Ring", and won a prize of $500 in gold. He performed as a pianist in venues such as Bergen Star Concerts and toured with minstrel groups including his own Davis Operatic and Plantation Minstrels.</div><div class="p">Davis wrote a variety of musical forms, including sentimental ballads, comic minstrel songs, art songs, and choral music. He was best known in his own time for his "tear-jerkers". One of these was "Fatal Wedding" (1893), his first national hit; Davis composed the music, a waltz, while the words are credited to William H. Windom, a well-known ballad singer. Another tear-jerker was "In the Baggage Coach Ahead", Davis's most commercially successful composition, selling over a million copies. The success of "In the Baggage Coach" was fueled by the popular female vaudeville singer, Imogene Comer, who made it part of her regular repertoire.</div><div class="p">An April 1899 article in The Freeman reported that Davis had purchased a home in Whitestone, New York and that he was recovering from a serious illness. In August of that year, press releases indicated he would appear in A Hot Old Time in Dixie, going on the road in the coming season; this musical farce was Davis's property with Tom McIntosh. On October 18, 1899, Davis died at home in Whitestone.</div><div class="p">At the time of his death, Gussie Davis had published more than three hundred songs and certainly left more in manuscript.</div><div class="p">Also notable is Davis's "Irene, Good Night" (1886), which entered the folk song repertoire, albeit significantly altered, as "Goodnight, Irene" in Negro Folk Songs as Sung by Lead Belly (1936).</div></body></html>