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</script><h1>Gustav Merkel</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Gustav+Merkel/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Bassoon</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Gustav_Merkel">Wikipedia</a><div class="p">Gustav Adolf Merkel (November 12, 1827, Oberoderwitz, Kingdom of Saxony – October 30, 1885, Dresden) was a German organist and composer.</div><div class="p">Having been given some lessons by <a href="http://en.instr.scorser.com/C/Bassoon/Robert+Schumann/All/Popularity.html">Schumann</a> in his youth, Merkel spent most of his career in Dresden, concentrating on organ-playing from 1858. A Lutheran himself, he nevertheless held an appointment at the Catholic Cathedral of Dresden from 1864 until his death. During the same period he taught the organ at Dresden's Conservatory.</div><div class="p">His compositions include nine organ sonatas (which have been recorded several times, as well as occurring quite often in organ recitals), of which the first sonata (Op.30) is written for two organists, and several dozen miniatures (some of them based on Protestant chorale melodies). In these works, his style is broadly conservative, very much influenced by <a href="http://en.instr.scorser.com/C/Bassoon/Felix+Mendelssohn/All/Popularity.html">Mendelssohn</a>, and with similarities to the output of his younger contemporary <a href="http://en.instr.scorser.com/C/Bassoon/Josef+Rheinberger/All/Popularity.html">Josef Rheinberger</a>. He also produced choral and piano pieces; his salon piece "Schmetterling" ("Butterfly"), Op. 81, No. 4 is particularly well-known.</div></body></html>