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</script><h1>Victor Staub</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Victor+Staub/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Choir</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Victor_Staub">Wikipedia</a><div class="p">Victor Henri Staub (16 October 1872 – 4 February 1953) was a French pianist and composer.</div><div class="p">Born in Lima, Peru, to Swiss-French parents, Staub exhibited an early aptitude for the piano. He studied at the Paris Conservatoire with <a href="http://en.instr.scorser.com/C/Choir/Antoine+Fran%c3%a7ois+Marmontel/All/Popularity.html">Antoine Marmontel</a> and <a href="http://en.instr.scorser.com/C/Choir/Louis+Di%c3%a9mer/All/Popularity.html">Louis Diémer</a>, gaining a first prize in piano in 1888.</div><div class="p">Staub competed in the Anton Rubinstein prize in Berlin in 1895. He and Josef Lhévinne both played Beethoven's Hammerklavier Sonata, Op. 106. In the first round of voting, Staub and Lhévinne obtained the same number of votes, but Lhévinne was ultimately awarded the 5,000 franc first prize after a second round of voting.</div><div class="p">Staub taught for five years at the Cologne conservatory. He left Cologne in 1902 and returned to Paris.</div><div class="p">He became a professor at the Paris Conservatoire on 21 October 1909, in succession to Edouard Risler. Upon the death of <a href="http://en.instr.scorser.com/C/Choir/%c3%89lie-Miriam+Delaborde/All/Popularity.html">Elie Delaborde</a> in 1914, <a href="http://en.instr.scorser.com/C/Choir/Gabriel+Faur%c3%a9/All/Popularity.html">Gabriel Fauré</a> chose Staub over Marguerite Long to head the Classe Supérieure for women. Staub's female pupils included Germaine Devèze, Madeleine Giraudeau, Jacqueline Pangnier (Robin), Hélène Pignari, and Rita Savard. He also taught José Iturbi, Ernest Hoffzimmer, and Raymond Trouard. Staub retired from the Conservatoire on 15 January 1941 and was succeeded by Armand Ferté.</div><div class="p">Victor Staub recorded Chopin's Waltz in F, Op. 34, No. 3; Debussy's Ménéstrels; and Schumann's Des Abends.</div><div class="p">He composed numerous piano pieces, including most notably "Sous bois" (1902) and "Boléro" (1924), as well as his piano arrangement of the Sorcerer's Apprentice by <a href="http://en.instr.scorser.com/C/Choir/Paul+Dukas/All/Popularity.html">Paul Dukas</a>. He also authored pedagogical works.</div><div class="p">Raymond Trouard recalled that:</div><div class="p">Staub could play like no one else. One morning (I had come in a little early), I saw him arrive calmly, sit down at the keyboard and perform, for himself, without any warning, Liszt's "Feux-Follets" impeccably! Staub had memorized the Etudes Transcendantes, Chopin's op. 10 and 25 Etudes, as well as most of the difficult works of the repertoire. Only a handful of pianists could boast of being able to do the same."</div><div class="p">The son of Henri Staub (Zurich 1845 - Paris 1906) and Isabelle Merey (1847–1907), Victor Staub had three sisters: Emma, Béatrice, and Sylvie. With his first wife, Blanche Marie de Orelly (1882–1906) Victor Staub had a daughter, Diana Staub (b. 1905). He then married Marie Marguerite Emilie Baneux (1882–1958) and had a daughter, Odette Blanche Staub (1908–2000). Odette was the mother of actor Jean Claudio.</div><div class="p">Victor Staub lived at 27 rue Fourcroy, in Paris, where he also gave private lessons for "professionals, amateurs, and children". He died in Paris.</div><div class="p">Solo piano</div><div class="p">Piano 4-hands</div><div class="p">Opérette</div><div class="p">Chansons</div></body></html>