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</script><h1>Hermann Raupach</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Hermann+Raupach/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Clarinet</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Hermann_Raupach">Wikipedia</a><div class="p">Hermann Friedrich Raupach (December 21, 1728 – December 12, 1778) was an 18th-century German composer.</div><div class="p">Hermann Raupach was born at Stralsund in Germany, the son and pupil of composer and organist Christoph Raupach (1686-1744) and the nephew of Lutheran church historian Bernhard Raupach (1682–1745). Raupach was a harpsichordist, who became the assistant of <a href="http://en.instr.scorser.com/C/Clarinet/Vincenzo+Manfredini/All/Popularity.html">Vincenzo Manfredini</a>, at the Russian Imperial Court Orchestra in Saint Petersburg in 1755. In 1758 he was appointed a Kapellmeister and court composer. Some of his operas were performed in Russian. His Alceste (Альцеста, 1758) is regarded as "the second Russian opera" (after <a href="http://en.instr.scorser.com/C/Clarinet/Francesco+Araja/All/Popularity.html">Araja</a>'s Tsefal i Prokris, 1755). The role of Admet in this opera was sung by <a href="http://en.instr.scorser.com/C/Clarinet/Dmitry+Bortniansky/All/Popularity.html">Dmitry Bortniansky</a>, called the "Orpheus of the Neva River".</div><div class="p">In 1762 Raupach left St Petersburg for Hamburg and then to Paris, where he met <a href="http://en.instr.scorser.com/C/Clarinet/Wolfgang+Amadeus+Mozart/All/Popularity.html">Wolfgang Amadeus Mozart</a> and improvised with him on harpsichord in 4 hands. Mozart arranged some movements from his sonatas for piano and string orchestra. The Sonata for Piano and Violin in A major, that was listed as K. 61, first appeared under Mozart's name in the Breitkopf & Härtel OEuvres in 1804. It had been in Baron Taddaus von Dürnitz collection, and was mistakenly thought to be by Mozart. In 1912 Téodor de Wyzewa and Georges de Saint-Foix discovered that the real composer was Hermann Raupach. They believed the young Mozart copied this sonata to use for an arrangement for a piano concerto, as he had used works of Raupach in K. 37, K. 39 and K. 41; see also: Piano Concertos Nos. 1–4 (Mozart).</div><div class="p">Later Raupach returned to St Petersburg, where he became the instructor of composition and singing at the Academy of Fine Arts from 1768 to 1778. The composers Dmitry Bortniansky and <a href="http://en.instr.scorser.com/C/Clarinet/Yevstigney+Fomin/All/Popularity.html">Yevstigney Fomin</a> were among his pupils. He died in St Petersburg.</div></body></html>