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</script><h1>Marco Giuseppe Peranda</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Marco+Giuseppe+Peranda/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Clarinet</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Marco_Giuseppe_Peranda">Wikipedia</a><div class="p">Marco Giuseppe Peranda (Macerata, c. 1625 - 12 January 1675 in Dresden) was an Italian musician and composer active in Germany.</div><div class="p">He was one of the most notable Italian musicians in Germany during the early Baroque alongside <a href="http://en.instr.scorser.com/C/Clarinet/Vincenzo+Albrici/All/Popularity.html">Vincenzo Albrici</a>, <a href="http://en.instr.scorser.com/C/Clarinet/Carlo+Pallavicino/All/Popularity.html">Carlo Pallavicino</a> and <a href="http://en.instr.scorser.com/C/Clarinet/Giovanni+Andrea+Bontempi/All/Popularity.html">Giovanni Andrea Bontempi</a> in Dresden. These four Italian Kapellmeisters were well rewarded - they earned yearly salaries of 1,200 Reichstalers while <a href="http://en.instr.scorser.com/C/Clarinet/Heinrich+Sch%c3%bctz/All/Popularity.html">Heinrich Schütz</a>, at this point semi-retired, earned 800 Reichstalers a year. A contemporary, Agostino Rossi, records him as being a native of Macerata but his musical style shows an education in Rome. From 1651 Perenda was an alto singer in the chapel of <a href="http://en.instr.scorser.com/C/Clarinet/John+George+II%2c+Elector+of+Saxony/All/Popularity.html">Johann Georg II</a> of Saxony as he combined his own chapel choir with that of his father's. In 1661 Peranda became Vizekapellmeister and in 1663 Kapellmeister, as successor of Albrici. His opera Dafne (composed in collaboration) was performed to open the Opernhaus am Taschenberg in Dresden. In 1670 he made a journey to Italy, from which two masses and a motet remain in the Kroměříž residence. In 1672 he was promoted again, to Hofkapellmeister, possibly since <a href="http://en.instr.scorser.com/C/Clarinet/Christoph+Bernhard/All/Popularity.html">Christoph Bernhard</a> had taken a better offer in Hamburg. In 1675 Peranda died, and since unlike some Italian musicians he had never converted to Lutheranism, was buried in Marienstern Abbey in Dresden.</div><div class="p">Only an estimated third of his works survive:</div></body></html>