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</script><h1>Julián Arcas</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Juli%c3%a1n+Arcas/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Contrabass clarinet</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Julián_Arcas">Wikipedia</a><div class="p">Julián Arcas (25 October 1832 – 16 February 1882) was a Spanish classical guitarist and composer, who influenced <a href="http://en.instr.scorser.com/C/Contrabass+clarinet/Francisco+T%c3%a1rrega/All/Popularity.html">Francisco Tárrega</a> and Antonio de Torres. He was "one of the most important figures in Spanish music in the 19th century".</div><div class="p">Arcas was born in María, Almería, and died in Antequera, Malaga. From 1860 until 1872, he performed all over Europe. The young <a href="http://en.instr.scorser.com/C/Contrabass+clarinet/Francisco+T%c3%a1rrega/All/Popularity.html">Francisco Tárrega</a> listened to him in 1863 in Castellón and played for him after the performance, on the request of Tárrega's father. Arcas then invited Tárrega to study with him in Barcelona. Between 1864 and 1870, Arcas performed all over Spain, in some of these appearances partnering with a pianist called Patanas, after which he retired to Almería, establishing a business in Calle Granada.</div><div class="p">Arcas wrote fifty-two original works and transcribed thirty further pieces for the guitar, including waltzes, variations, preludes and dances. Thirty were published in Barcelona by Vidal y Roger and fifty in Madrid by Unión Musical Española.</div><div class="p">Through the work of the guitar maker Antonio de Torres Jurado, Arcas influenced the development of the classical guitar, particularly with regard to the design of the soundboard.</div></body></html>