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</script><h1>Herrman S. Saroni</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Herrman+S.+Saroni/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Cornet</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Herrman_S._Saroni">Wikipedia</a><div class="p">Herrman S. Saroni (February 1824 in Bernburg, Germany – August 29, 1900 in Marietta, Ohio) was an American composer, author, and publisher.</div><div class="p">Saroni was born and educated in Germany, and referred to himself as a student of <a href="http://en.instr.scorser.com/C/Cornet/Felix+Mendelssohn/All/Popularity.html">Mendelssohn</a>. However, in a biography published during his lifetime, he was said to have studied under <a href="http://en.instr.scorser.com/C/Cornet/Friedrich+Schneider/All/Popularity.html">Friedrich Schneider</a>.</div><div class="p">In 1844 he applied for naturalization in New York city, where he later edited Saroni's Musical Times between 1849 and 1851. He organized a successful series of chamber music recitals during those years, featuring performers such as <a href="http://en.instr.scorser.com/C/Cornet/Theodore+Eisfeld/All/Popularity.html">Theodore Eisfeld</a>, Julia Northall, and <a href="http://en.instr.scorser.com/C/Cornet/Otto+Dresel/All/Popularity.html">Otto Dresel</a>. Through critical writing and translating, he helped to spread German pedagogical approaches to American music education and appreciation. Despite the resulting "vogue of Mendelssohn in America", Saroni's influence remained obscure and only vaguely identifiable in its development for many years.</div><div class="p">After 1851 he moved to Georgia, where he founded the Columbus Symphony Orchestra (1855). He later lived in Alabama, but eventually settled in Marietta, Ohio, where he taught piano at Marietta College. He died there in 1900. His wife died the following year, on September 16, 1901. Her obituary mentions four granddaughters: three in Marietta (Mrs. W. B. Gaitree, Miss Small, and Miss Kittie Small) and a fourth in Knoxville, Tennessee.</div><div class="p">A “Brief Account of His Life and Work” in the August 30, 1900, Marietta Daily Leader, mentioned that he “made and lost several large fortunes” in America, “but in his later years he was in comfortable circumstances.” “Those who knew him best, knew him as a kind-hearted, well-educated and refined man.”</div><div class="p">Saroni composed parlor songs in English. These songs "demonstrate a shift away from bel canto traditions towards a lied-influenced style in this genre."</div><div class="p">He also composed light piano pieces, two operettas, The Twin Sisters (1860) and Lily-Bell, the Culprit Fay (1868), and a Centennial Ode (1888).</div><div class="p">Saroni is well known for his music. The Library of Congress holds many of his works. Grace D. Yerbury ascribes an American school of music to him in her 1971 book America in Song: from Early Times to About 1850 and David F. Urrows credits him with writing the first operetta in America in his 2008 article “Herrman S. Saroni and the first American Operetta” in the Bulletin of the Society of American Music. However, Saroni’s many inventions went virtually unnoticed until Daniel A. Bellware detailed them in the 2018 article “The Musical and Mechanical Genius of Herrman S. Saroni” in Muscogiana, the most complete biography of the musician/inventor to date.</div><div class="p">Many of Saroni’s inventions were related to the use of “petroleum vapors” or what is commonly called gasoline in place of heavier and more expensive coal. Starting just after the American Civil War, Saroni began dabbling in uses for that fuel. He went into business selling petroleum vapor stoves in the Augusta, Georgia in 1866. He converted a coal-powered steamboat to gasoline power and demonstrated it on the Ohio River between Louisville and Cincinnati in 1867. Saroni lit the streets of St. Paul, Minnesota with petroleum vapor lights in 1878 and ran the first automobile through the streets of that city in 1879. He obtained at least seventeen patents between 1866 and 1892 in the United States and Canada. Most of the patents involved uses for gasoline but a few were musical.</div><div class="p">Larger works</div><div class="p">Piano music</div><div class="p">Vocal music</div></body></html>