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</script><h1>Michele Mascitti</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Michele+Mascitti/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Flute</h2><div class="clear10"></div><div class="hd"><a rel="nofollow" href="http://en.instr.scorser.com/C/Flute/Michele+Mascitti/All/Popularity.html">by popularity</a></div><div class="clear10"></div><a href="http://en.instr.scorser.com/CC/Flute/Michele+Mascitti/14+Sonatas%2c+Op.4.html">14 Sonatas, Op.4</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Michele_Mascitti">Wikipedia</a><div class="p">Michele Mascitti (1664 in Villa Santa Maria (from Chieti); 24 April 1760 in Paris) was an Italian violinist and Baroque composer.</div><div class="p">Mascitti was educated by a relative, Pietro Marchitelli (1643-1729), a violinist in the royal court orchestra in Naples, and at the "Teatro San Bartolomeo", possibly by Corelli. Mascitti found a temporary position in the royal orchestra, but soon left. He traveled through Italy, and later throughout Europe, spending time in Germany and the Netherlands. He was under the protection of Cardinal Ottoboni and the reigning Duke of Bavaria.</div><div class="p">In 1704, he settled in Paris and took the Frenchified given name of Michel. He became a French citizen in 1739. Philippe d'Orléans was a patron, allowing Mascitti early appearances at the court of Versailles.</div><div class="p">Mascitti published all nine of his sonata collections in Paris. The four concertos from Op. 7 follow the concerto grosso style of Corelli. During his lifetime, Mascitti enjoyed similar fame to <a href="http://en.instr.scorser.com/C/Flute/Tomaso+Albinoni/All/Popularity.html">Albinoni</a> and Corelli. His compositions were mainly in the Italian, and sometimes French, style. They contained an abundance of novel harmonies for the period.</div></body></html>