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</script><h1>Philibert Delavigne</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Philibert+Delavigne/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Flute</h2><div class="clear10"></div><div class="hd"><a href="http://en.instr.scorser.com/C/Flute/Philibert+Delavigne/All/Alphabeticly.html">by alphabet</a></div><div class="clear10"></div><a href="http://en.instr.scorser.com/CC/Flute/Philibert+Delavigne/6+Sonatas%2c+Op.2.html">6 Sonatas, Op.2</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Philibert_Delavigne">Wikipedia</a><div class="p">Philibert Delavigne (c. 1700–1750) was a French composer. Little is known of his life, except that he was active at the court of Louis XV and entered the service of the Comte d'Ayen around 1730.</div><div class="p">Only three sets of compositions by Delavigne survive:</div><div class="p">Titles for those sonatas are as follows:  1. "La Baussan" (C major)  2. "La d'Agut" (C minor) 3. "La Dubois" (C major) 4. "La Beaumont" (C major) 5. "La Persan" (G major) 6. "La Simianne" (G major)</div><div class="p">All these compositions are described in their full titles as suitable for musette de cour, hurdy-gurdy and recorder violin or transverse flute. Robert A. Green explains that the composer's preference was always shown by the exact order in which the instruments are named. According to this principle, Delavigne's surviving works were composed for musette even though they remain eminently accessible for the hurdy-gurdy.</div></body></html>