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Pierre Attaingnant

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Pierre Attaingnant (or Attaignant) (c. 1494 – late 1551 or 1552) was a French music publisher, active in Paris.
Attaingnant is considered to be first large-scale publisher of single-impression movable type for music-printing, thus making it possible to print faster and cheaper than predecessors such as Ottaviano Petrucci. Attaingnant is often credited with being the first to develop this technique; however, theoric assert exists to suggest that John Rastell, an English printer in London, was the first to use single-impression printing in 1520. Unfortunately, none of his score was ever found Attaingnant published over 1500 chansons by many different composers, including Paris composers Claudin de Sermisy, Pierre Sandrin and Pierre Certon, and most prominently Clément Janequin with five books of chansons or Josquin Desprez . Attaingnant acquired royal privileges for his music books, which were renewed many times. Eventually he was named imprimeur et libraire du Roy en musique (printer and bookseller of the King for music).
Attaingnant's major contribution to music printing consists in his popularizing the single-impression method for music printing, which he first employed in his 1528 publication Chansons nouvelles en musique à quatre parties. In this system, the individual notes were printed directly onto segments of staff, and so the notes, staff lines, and text could all be printed with one send through the printing press. The main disadvantage of this method was the alignment of the staff lines, which often had a “bumpy” look—-some being slightly higher or slightly disjointed from others. Nevertheless, this method became standard music printing across Europe in the 16th and 17th centuries.
Attaingnant learnt the printing trade by printing first "livres d'heure" with the printer Philippe Pigouchet who sold them to Simon Vostre book shop located in St John the evangelist street near the Sorbonne University in the Parisian student district. Later Pigouchet became Attaingnant's father in law when he married his daughter
Apart from his 36 collections of chansons, he also published books with pieces in lute or keyboard tablature, as well as Masses and motets.
Among the most important documents for keyboard music in general and for French Renaissance keyboard music in particular are the seven volumes published by Attaingnant in Paris in the spring of 1531:
One of the pieces published by Attaingnant has been used three times in 20th- and 21st-century popular music:
Another melody published by Attaingnant is used in several songs:
The original can be heard below, in the first sample, Quand je bois du vin clairet. An alternative version for lute solo also exists, in Attaingnant's printed works.