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</script><h1>Emil Hlobil</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Emil+Hlobil/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Keyboard</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Emil_Hlobil">Wikipedia</a><div class="p">Emil Hlobil (11 October 1901 – 25 January 1987) was a twentieth century Czechoslovakian composer and music professor based in Prague.</div><div class="p">Hlobil was born in Veselí nad Lužnicí, but lived most of his life in Prague. Between 1924 and 1930 he studied at the Prague Conservatory under <a href="http://en.instr.scorser.com/C/Keyboard/Josef+Suk/All/Popularity.html">Josef Suk</a> and <a href="http://en.instr.scorser.com/C/Keyboard/Jaroslav+K%c5%99i%c4%8dka/All/Popularity.html">Jaroslav Křička</a>, and taught music and composition at the Prague Academy of Performing Arts. He also taught at the Prague Conservatory (1941–58) before moving to the Academy. He married Czech painter Marie-Hlobilová Mrkvičková, and after World War II they bought a cottage in the Krkonoše mountains as a summer home. Hlobil died in Prague in 1987.</div><div class="p">Hlobil composed in the Romantic tradition of the Nineteenth Century, almost untouched by modern trends, which was possibly a reflection of the politics of the time and place. A review by Gramaphone in 1961 described him as follows:</div><div class="p">Emil Hlobil, 60-year-old professor of composition at the Prague Conservatoire, has the most original creative imagination of our twelve composers, I would say. In his Quartet for harpsichord and string trio (1944) [sic], he uses a fairly simple diatonic idiom, but shows a Janacek-like boldness in his apparently inconsequential changing of the subject, his close working-out of a few motives, and his ability to create fascinating textures. Although his self-made technique is not nearly as successful as Janacek's—his material does not stand up to so much repetition, and he sometimes falls into empty naïveté (codetta of first movement and much of the finale), this refreshingly imaginative work makes one want to hear more recent examples from his long list of compositions.</div><div class="p">Hlobil's works include operas, symphonies, concertos and string quartets in the Czech Impressionist tradition of Suk and <a href="http://en.instr.scorser.com/C/Keyboard/V%c3%adt%c4%9bzslav+Nov%c3%a1k/All/Popularity.html">Vítězslav Novák</a>.</div></body></html>