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</script><h1>Frances Densmore</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Frances+Densmore/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Keyboard</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Frances_Densmore">Wikipedia</a><div class="p">Frances Theresa Densmore (May 21, 1867 – June 5, 1957) was an American anthropologist and ethnographer born in Red Wing, Minnesota. Densmore is known for her studies of Native American music and culture, and in modern terms, she may be described as an ethnomusicologist.</div><div class="p">As a child Densmore developed an appreciation of music by listening to the nearby Dakota Indians. She studied music at Oberlin College for three years. During the early part of the twentieth century, she worked as a music teacher with Native Americans nationwide, while also learning, recording, and transcribing their music, and documenting its use in their culture. She helped preserve their culture in a time when government policy was to encourage Native Americans to adopt Western customs.</div><div class="p">Densmore began recording music officially for the Smithsonian Institution's Bureau of American Ethnology (BAE) in 1907. In her fifty-plus years of studying and preserving American Indian music, she collected thousands of recordings. Many of the recordings she made on behalf of the BAE now are held in the Library of Congress. While her original recordings often were on wax cylinders, many of them have been reproduced using other media and are included in other archives. The recordings may be accessed by researchers as well as tribal delegations.</div><div class="p">Some of the tribes she worked with include the Chippewa, the Mandan, Hidatsa, the Sioux, the northern Pawnee of Oklahoma, the Papago of Arizona, Indians of Washington and British Columbia, Winnebago and Menominee of Wisconsin, Pueblo Indians of the southwest, the Seminoles of Florida, and even the Kuna Indians of Panama. Densmore frequently was published in the journal American Anthropologist, contributing consistently throughout her career.</div><div class="p">She wrote The Indians and Their Music in 1926. Between 1910 and 1957, she published fourteen book-length bulletins for the Smithsonian, each describing the musical practices and repertories of a different Native American group. These were reprinted as a series by DaCapo Press in 1972.</div><div class="p">She also was a part of "A Ventriloquy of Anthros" in the American Indian Quarterly along with James Owen Dorsey and Eugene Buechel.</div><div class="p">Oberlin College awarded Densmore an honorary M.A. degree in 1924. Macalester College followed suit in 1950, awarding her an honorary Doctor of Letters degree. In 1954, the Minnesota Historical Society recognized her with its first-ever "Citation for Distinguished Service in the Field of Minnesota History."</div><div class="p">The National Association for American Composers and Conductors recognized Densmore in its 1940-1941 awards for her musicological work.</div><div class="p">Smithsonian-Densmore Cylinder Collection (1910-1930)  Includes:  Songs of the Chippewa  Songs of the Sioux  Songs of the Yuma, Cocopa, and Yaqui  Songs of the Pawnee and Northern Ute  Songs of the Papago  Songs of the Nootka and Quileute  Songs of the Menominee, Mandan and Hidatsa</div></body></html>