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</script><h1>Richard Franck</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Richard+Franck/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Keyboard</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Richard_Franck">Wikipedia</a><div class="p">Richard Franck (3 January 1858 – 22 January 1938) was a German pianist, composer and teacher.</div><div class="p">He was born in Cologne and was the son of the German composer, pianist and teacher <a href="http://en.instr.scorser.com/C/Keyboard/Eduard+Franck/All/Popularity.html">Eduard Franck</a>. His father, who had studied with <a href="http://en.instr.scorser.com/C/Keyboard/Felix+Mendelssohn/All/Popularity.html">Felix Mendelssohn</a> and knew the value of good instruction, sent Richard to the Leipzig Conservatory, where he studied with two of the leading teachers of the day, <a href="http://en.instr.scorser.com/C/Keyboard/Carl+Reinecke/All/Popularity.html">Carl Reinecke</a> and <a href="http://en.instr.scorser.com/C/Keyboard/Salomon+Jadassohn/All/Popularity.html">Salomon Jadassohn</a>. During the course of a long career, Franck held teaching positions at conservatories in both Germany (Kassel, Berlin, Heidelberg) and in Switzerland (Basle).</div><div class="p">Although he did not reach the front rank amongst his contemporaries, he was nevertheless well respected as a concert artist and as a composer. His conservative style was influenced by Reinecke and by his friend, the Swiss composer <a href="http://en.instr.scorser.com/C/Keyboard/Hans+Huber/All/Popularity.html">Hans Huber</a> (1852–1921). Franck was firmly in the tradition of Mendelssohn and Schumann though it's clear that he was not immune from the influence of Wagner, Grieg and Reger also. Critics who were familiar with his compositions and his piano playing regularly lavished praised upon them. For example, the Schweizerische Musikzeitung (Swiss Musical Journal), writing about his First Piano Trio, Op. 20, wrote:</div><div class="p">"Powerful and full-sounding energy is shown in many works, not least in [Richard Franck's] Op.20 Piano Trio, which is a magnificent, significant composition, fresh in invention, firm and secure in its development, and mature in its expression."</div><div class="p">The bulk of Franck's compositions are for solo piano; however, he also wrote orchestral and vocal compositions, as well as a considerable amount of chamber music. Though he and his music have been long forgotten, as of late, his music has been rediscovered and is in the process of being revived. His piano trios, piano quartets and four sonatas have all been recently recorded on Audite, a selection of orchestra works on Sterling. Early in 2007, Edition Silvertrust republished the parts to his Op. 20 Piano Trio, the first in a series of chamber works to be released.</div><div class="p">Within the next years, all available works of Richard Franck will be published in critical editions by Pfefferkorn Music Publishers, Leipzig.</div></body></html>