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</script><h1>Pietro Domenico Paradies</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Pietro+Domenico+Paradies/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Mandolin</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Pietro_Domenico_Paradies">Wikipedia</a><div class="p">Pietro Domenico Paradies (also Pietro Domenico Paradisi) (1707 – 25 August 1791) was an Italian composer, harpsichordist and harpsichord teacher, most prominently known for a composition popularly entitled "Toccata in A", which is, in other sources, the second movement of his Sonata No. 6.</div><div class="p">A reviewer of a modern edition of his sonatas, all first edited by the composer, noted in passing "Paradies (never Paradisi, it seems)" suggesting that Paradisi might be a modern adaptation.</div><div class="p">Paradies was born in Naples. Probably a student of <a href="http://en.instr.scorser.com/C/Mandolin/Nicola+Porpora/All/Popularity.html">Nicola Porpora</a>, he dedicated himself at first to composing for the theater. In 1746 he moved to London, where he became known as a teacher of harpsichord and singing; among his students was Gertrud Elisabeth Mara, probably around 1750 and possibly <a href="http://en.instr.scorser.com/C/Mandolin/Thomas+Linley+the+elder/All/Popularity.html">Thomas Linley the elder</a>. In 1770 he returned to Italy. He died in Venice.</div><div class="p">His reputation is due to his music for the harpsichord, esteemed by music historians.</div><div class="p">His musical style was influenced by <a href="http://en.instr.scorser.com/C/Mandolin/Alessandro+Scarlatti/All/Popularity.html">Alessandro</a> and <a href="http://en.instr.scorser.com/C/Mandolin/Domenico+Scarlatti/All/Popularity.html">Domenico Scarlatti</a>. Especially celebrated above all were his twelve sonatas for clavicembalo (London, 1754). The Toccata in A that is still played often today is an Allegro movement from his sonata VI in A major, which has established for itself a considerable discography, although there has been a revival of more of his music recently, at least regarding the keyboard sonatas. He was also the author of concertos for organ and for harpsichord, individual pieces for harpsichord, arias and cantatas.</div><div class="p">(Year produced, place, name)</div></body></html>