Mixed chorus Solo
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Composers

Christoph Graupner

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Compositions for: Mixed chorus

#Arrangements for: Mixed chorus
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A

Ach bleib bei uns Herr Jesu Christ, GWV 1129/46Ach dass die Hülfe aus Zion über Israel käme, GWV 1125/19Ach dass die Hülfe aus Zion über Israel käme, GWV 1154/53Ach eitle Herzen, GWV 1142/45Ach es geht mir wie einem, GWV 1117/46Ach Gott ach Vater sieh, GWV 1137/44Ach Gott dein Rat ist wunderbar, GWV 1133/42Ach Gott vom Himmel sieh darein, GWV 1106/42Ach Gott vom Himmel sieh darein, GWV 1108/41Ach Gott vom Himmel sieh darein, GWV 1124/37Ach Gott vom Himmel sieh darein, GWV 1149/24Ach Gott wie elend sind wir dran, GWV 1155/32Ach Gott wie lange soll der Widerwärtige, GWV 1122/53Ach Gott wie manches Herzeleid, GWV 1133/44Ach Gott will ins Gerichte gehen, GWV 1163/09Ach grosser Helfer, GWV 1160/26Ach guter Hirte lass dich finden, GWV 1140/32Ach harter Stand für Gottes Freunde, GWV 1103/41Ach Herr ach Heiland hilf, GWV 1131/43Ach Herr die Frommen warten deiner, GWV 1167/42Ach Herr Gott wie reich, GWV 1162/42bAch Herr lehr uns bedenken wohl, GWV 1157/21Ach Jesu heile doch die Plagen, GWV 1153/24Ach Jesu teure Rettungsquelle, GWV 1121/29Ach Jesu wie bist du so treu, GWV 1132/45Ach Jesus' Stunde ist gekommen, GWV 1126/34Ach Jesus weicht er will zum Vater, GWV 1134/26Ach lass dich unsers Elends jammern, GWV 1119/37Ach meines Jammers und Herzeleids, GWV 1175/26bAch sagt mir nichts von Gold und Schätzen, GWV 1142/34Ach sagt mir nichts von Gold und Schätzen, GWV 1142/40Ach Seelen wacht der Wolf kommt, GWV 1149/40Ach Seelenfreund wo bist du hingegangen, GWV 1129/42Ach Sterbliche bedenkt das Ende, GWV 1157/25Ach stirb mein Herz, GWV 1127/38Ach und Schmerzen klag ich Gott, GWV 1104/11bAch was hab ich ausgerichtet, GWV 1163/39Ach was soll ich Sünder machen, GWV 1144/24Ach welchen Jammer bringt die Sünde, GWV 1153/43Ach wie nichtig, ach wie flüchtig, GWV 1157/28Ach wo nun hin, GWV 1150/09Ach wo soll ich Jesum finden, GWV 1129/49Ach zarter Jesu, GWV 1112/30Achtet es eitel Freude, GWV 1133/45Alle die sich demütigen, GWV 1152/45Alle die vor mir kommen sind, GWV 1140/41Alle die vor mir kommen sind, GWV 1140/47Alle Dinge sind möglich, GWV 1121/40Alle eure Dinge, GWV 1154/09aAlle Fülle aller Segen, GWV 1123/22Alle Kreatur Gottes, GWV 1148/49Alle Schrift von Gott eingegeben ist, GWV 1147/41Alle Schrift von Gott eingegeben ist, GWV 1159/45Alles Fleisch ist wie Gras, GWV 1157/27Alles was einen Fehl hat, GWV 1147/49Alles was ihr bittet, GWV 1135/43Alles was ihr bittet, GWV 1135/48Alles was ihr wollet, GWV 1145/45Alles was mir mein Vater gibt, GWV 1141/48Also hat Gott die Welt geliebet, GWV 1139/18Also hat Gott die Welt geliebet, GWV 1139/30Also hat Gott die Welt geliebt, GWV 1139/51Also ists geschrieben, GWV 1130/35Also ists geschrieben, GWV 1130/47Auf Christenmensch, GWV 1120/19Auf dem rechten Wege ist Leben, GWV 1169/33Auf diesen Tag bedenken wir, GWV 1136/35Auf frohlocket mit vollen Chören, GWV 1136/25Auf gehet dem Höchsten mit Danken, GWV 1109/35Auf ihr Christen auf zum Streit, GWV 1162/20Auf ihr Herzen schickt euch an, GWV 1138/45Auf lobet Gottes grossen Namen, GWV 1174/23Auf mein Geist auf zum ErgötzernAuf mein Geist lass alles stehen, GWV 1111/26Auf schmücket euch, GWV 1161/45Auf Zion auf ermuntre dich, GWV 1101/19Auf Zion auf nimm Schmuck für Asche, GWV 1101/41Auf Zion schreie Hosianna, GWV 1101/29Auf Zion schreie Hosianna, GWV 1101/53Auf Zion werde Licht, GWV 1111/20Auf zündet eure Lampen an, GWV 1168/42Auf, fördert ihr Lüfte der Herzen FrohlockenAus der Tiefen rufen wir, GWV 1113/23aAus Gnade seid ihr selig worden, GWV 1139/29Aus Gottes reichen Allmachtshänden, GWV 1123/44Aus tiefer Not schrei ich zu dir, GWV 1163/32Aus tiefer Not schrei ich zu dir, GWV 1165/27Ausgewählte Kantaten von Johann Christoph Graupner

B

Barmherzig und gnädig ist der Herr, GWV 1163/35Befiehl dem Herrn deine Wege, GWV 1123/36Befiehl dem Herrn deine Wege, GWV 1156/53Befiehl du deine Wege, GWV 1156/27Begürtet eure Lenden, GWV 1136/41Behüte dein Herz mit allem Fleiss, GWV 1122/50Bei dem Herrn findet man Hilfe, GWV 1165/28Bei Gott ist mein Heil, GWV 1174/35Bei Jesu ist recht viel Vergnügen, GWV 1112/44Berenice e LucillaBringet her dem Herrn Ehre, GWV 1109/53

D

Danket dem Herrn prediget seinen Namen, GWV 1174/45Das ängstliche Harren der Kreatur wartet, GWV 1145/23Das Antlitz des Herrn, GWV 1150/25Das Geheimnis des Herrn ist unter denen, GWV 1170/45Das ist das ewige Leben, GWV 1107/51Der arge Feind der Fürst der Finsternis, GWV 1120/42Der Herr hats gegeben, GWV 1175/16aDer Herr ist gross in seinen Werken, GWV 1123/35Dido, Königin von CarthagoDie auf den Herrn harren, GWV 1174/36Die Ehe soll ehrlich gehalten werden, GWV 1113/45Du bist ein Mensch, GWV 1156/38Du Hirte Israel höre, GWV 1132/39Du lechzendes du dürres Land, GWV 1138/43

E

Ende gut und alles gut, GWV 1167/09aErkauftes Volk lass alles Trauern sein, GWV 1136/43Erschrecklich ist es, GWV 1142/43Es ist genug mein matter Sinn, GWV 1169/45bEs ist gewisslich an der Zeit, GWV 1167/41

G

Gelobet sei der Herr täglich, GWV 1162/53Gott deine Gerechtigkeit ist hoch, GWV 1175/39cGott ist die Liebe, GWV 1139/43

H

Herr nun lässest du deinen Diener, GWV 1169/45aHerr wie sind deine Werke so gross, GWV 1109/45

I

Ihr die ihr ohne Liebe lebt, GWV 1126/45Ihr Gedanken kommt zusammen, GWV 1126/24Ihr sollt nicht sorgen, GWV 1156/39

J

Jauchze frohlocke gefallene Welt, GWV 1105/27Jesus kommt zum Trost der Sünder, GWV 1151/53

K

Kommt herbei zerstreute Schafe, GWV 1144/43

L

La costanza vince l'ingannoLasset uns Ostern halten, GWV 1128/45

M

Merkt auf ihr Seelen Jesus lehrt, GWV 1141/43

N

Nun gibst du Gott einen gnädigen Regen, GWV 1138/21

S

Saget den verzagten Herzen, GWV 1133/41Schmecket und sehet wie freundlich der Herr ist, GWV 1130/45

T

The Cantata Chorales

V

Vergib deinem Nächsten, GWV 1163/45

W

Warum toben die Heiden und die Leute, GWV 1164/51Wendet euch zu mir so werdet ihr selig, GWV 1143/43Wer unter dem Schirm des Höchsten, GWV 1120/51Werter Geist Kraft aus der Höhe, GWV 1134/43Wie lange muss ich noch wallen, GWV 1133/43Wir sind krank, GWV 1153/19Wo sich der Gottlose bekehret, GWV 1144/47

Arrangements for: Mixed chorus

Aus Gnade seid ihr selig worden, GWV 1139/29Ein Lämmlein geht und trägt die Schuld, GWV 1119/24
Wikipedia
Christoph Graupner (13 January 1683 – 10 May 1760) was a German harpsichordist and composer of high Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel.
Born in Hartmannsdorf near Kirchberg in Saxony, Graupner received his first musical instruction from his uncle, an organist named Nicolaus Kuester. Graupner went to the University of Leipzig where he studied law (as did many composers of the time) and then completed his musical studies with Johann Kuhnau, the cantor of the Thomasschule (St. Thomas School).
In 1705, Graupner left Leipzig to play the harpsichord in the orchestra of the Hamburg Opera under the direction of Reinhard Keiser, alongside George Frideric Handel, then a young violinist. In addition to playing the harpsichord, Graupner composed six operas in Hamburg, some of them in collaboration with Keiser, a popular composer of operas in Germany.
In 1709, Graupner accepted a post at the court of Hesse-Darmstadt and in 1711 became the court orchestra’s Hofkapellmeister (court chapel master). Graupner spent the rest of his career at the court in Hesse-Darmstadt, where his primary responsibilities were to provide music for the court chapel. He wrote music for nearly half a century, from 1709 to 1754, when he became blind. He died in Darmstadt six years later.
Graupner inadvertently played a key role in the history of music. Precarious finances in Darmstadt during the 1710s forced a reduction of musical life. The opera house was closed, and many court musicians' salaries were in arrears (including Graupner's). After many attempts to have his salary paid, and having several children and a wife to support, in 1723 Graupner applied for the Cantorate in Leipzig. Telemann had been the first choice for this position, but withdrew after securing a salary increase in Hamburg. Graupner's "audition" Magnificat, set in the style of his teacher, mentor and predecessor, Kuhnau, secured him the position. However, Graupner's patron (the Landgrave Ernst Ludwig of Hesse-Darmstadt) would not release him from his contract. Graupner's past due salary was paid in full, his salary was increased; and he would be kept on staff even if his Kapelle was dismissed. With such favorable terms, Graupner remained in Darmstadt, thus clearing the way for Bach to become the kantor in Leipzig.
After hearing that Bach was the choice for Leipzig, on 4 May 1723 Graupner graciously wrote to the city council in Leipzig assuring them that Bach "is a musician just as strong on the organ as he is expert in church works and capelle pieces" and a man who "will honestly and properly perform the functions entrusted to him."
Graupner was hardworking and prolific. There are about 2,000 surviving works in his catalog, including 113 sinfonias, 85 ouvertures (suites), 44 concertos, 8 operas, 1,418 religious and 24 secular cantatas, 66 sonatas and 57 harpsichord partitas. Nearly all of Graupner's manuscripts are housed in the ULB (Technical University Library) in Darmstadt, Germany.
Graupner wrote for exotic combinations of instruments, including the oboe d'amore, flute d'amore, and viola d'amore. Over half of his sinfonias require brass and timpani, with about 25 sinfonias requiring 3 to 4 timpani, one (sinfonia in G Major GWV 611) 5 timpani, and another, sinfonia in F Major (GWV 566), was composed for 6 timpani.
After he died, Graupner's works fell into obscurity for a number of reasons. His manuscripts became the object of a long legal battle between his heirs and the rulers of Hesse-Darmstadt. A final court decision denied the Graupner estate ownership of the music manuscripts. The heirs were unable to obtain permission to sell or publish his works and they remained inaccessible to the public. Furthermore, subsequent dramatic changes in music styles had reduced the interest in Graupner's music. On the positive side however, the Landgrave's seizure of Graupner's musical estate ensured its survival in toto. Fate was not so kind to J. S. Bach's musical legacy, for example. Another factor that contributed to Graupner's posthumous obscurity was that, unlike Bach, Graupner had very few pupils other than Johann Friedrich Fasch to carry on his musical legacy.
As critic David Vernier has summed up, Graupner is "one of those unfortunate victims of fate and circumstance – a contemporary of Bach, Handel, Telemann, etc., who has remained largely – and unfairly – neglected."
Graupner's music is enjoying a revival, due in large part to the research efforts of many musicologists, performers, and conductors.
Beginning in the early 20th century, research began with Willibald Nagel's study of Graupner's sinfonias. In the 1920s, Friedrich Noack published his research on Graupner's cantatas. Baerenreiter published several sinfonias and an ouverture in the 1950s. In the early 1980s, Myron Rosenblum edited four sinfonias for the massive Barry Brook project The Symphony, 1720-1840: A Comprehensive Collection of Full Scores (New York: Garland, 1979–85), 60 vols. The year 1988 saw the publication of Oswald Bill's study of Graupner, with several articles by such Graupner experts as Peter Cahn (on the sinfonias), Joanna Cobb Biermann (musicians and salaries in Darmstadt), as well as source documents on court life in Darmstadt. Three dissertations were very important for Graupner research: H. Cutler Fall's study of the Passiontide cantatas, Rene Schmidt's study of the Christmas cantatas, and Vernon Wicker's study of solo bass cantatas. Christoph Grosspietsch published an extensive study of Graupner's ouvertures in 1994.
Despite all this research, there were relatively few recordings available to the general public. This changed in 1998, when Hermann Max conducted a CD of Graupner works on the CPO label. Montreal harpsichordist Geneviève Soly came across a Graupner manuscript in the Beinecke Library at Yale University in the year 2000 and started performing and recording his works. Graupner was "always on the cutting edge for his time and very innovative in his ideas for harmony, notation, and the use of instruments," as Soly has noted. "You have to take into consideration his various styles in relation to the actual period and the ideas he was interested in developing at that moment. The size of the catalogue imposes added difficulties in this respect, because another composer might have written for just as long, but in one style only. Mozart comes to mind: although he composed over a shorter period, his style was always well defined."
In April 2005, a thematic catalog of Graupner's instrumental music (Oswald Bill and Christoph Grosspietsch, editors) was published by Carus Music. There are plans to catalog Graupner's vocal music. In 2010, Belgian conductor and musicologist Florian Heyerick published an online and searchable digital GWV of the instrumental and vocal works.