Mixed chorus Solo
Mixed chorus + ...
For beginners
Composers

Dudley Buck

All Compositions

Compositions for: Mixed chorus

by popularity

#

4 Hymns, Op.656 Anthems, Op.536 Anthems, Op.548 Special Hymns in Anthem Form, Op.43

A

A Midnight Service for New Year's Eve

C

Christ Our Passover, Op.29Christ, the VictorChristmas Anthem, Op.48

E

Easter Anthem, Op.46Evening Service, Op.47Evening Service, Op.64Evening Service, Op.82Evening Service, Op.88

F

Festival Hymn

H

Hymn to Music

M

Morning Service, Op.25Morning Service, Op.45Morning Service, Op.58Morning Service, Op.60Morning Service, Op.61Morning Service, Op.63Morning Service, Op.89

O

O How AmiableOut of the Deep

P

Psalm 46, Op.57

S

Scenes from Longfellow's 'Golden Legend'

T

The Centennial Meditation of ColumbiaThe Coming of the King, IDB 10The Coming of the King, IDB 11The Legend of Don Munio, Op.62The Light of AsiaThe Story of the CrossThe Triumph of DavidThou wilt keep him in perfect peace
Wikipedia
Dudley Buck (March 10, 1839 – October 6, 1909) was an American composer, organist, and writer on music. He published several books, most notably the Dictionary of Musical Terms and Influence of the Organ in History, which was published in New York City in 1882.
He is best known today for his organ composition, Concert Variations on the Star-Spangled Banner, Op. 23, which was later arranged into an orchestral version.
Born in Hartford, Connecticut, Buck was the son of a merchant who gave him every opportunity to cultivate his musical talents. After attending Trinity College, for four years (1858–1862) he studied in Leipzig at the Leipzig Conservatory where he was a pupil of Louis Plaidy. He then pursued further studies in Dresden and Paris. On returning to America he held positions of organist in Hartford, Chicago (1869), and Boston (1871).
In 1875 Buck went to New York City to assist Theodore Thomas as conductor of orchestral concerts, and from 1877 to 1902 was organist at Holy Trinity Church in Brooklyn. By this time he had become well known as a composer. His compositions included church music, a number of cantatas (Columbus (1876), Golden Legend (1880), The Light of Asia (1886), etc.), an unperformed grand opera Serâpis, a comic opera Deseret (1880, survives only in fragments), a symphonic overture Marmion, a symphony in E flat, and other orchestral and vocal works.
Buck also taught private music lessons throughout his career. Among his notable pupils were Paul Ambrose, C. B. Hawley, William Howland, Daniel Protheroe, Harry Rowe Shelley, James Francis Cooke, and Charles Sanford Skilton. See: List of music students by teacher: A to B#Dudley Buck.