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</script><h1>Matthäus Waissel</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Matth%c3%a4us+Waissel/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Orchestra</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Matthäus_Waissel">Wikipedia</a><div class="p">Matthäus Waissel (c. 1540—1602) was a German lutenist, editor of music, and writer. Waissel was from 1573 headmaster of a school at Schippenbeil near Königsberg; he published in that year a volume of lute arrangements of vocal pieces, and in 1592 he issued a collection of German dances for lute, which signaled the decline of German lute tablature as it yielded prominence to the so-called French system. Waissel's output comprises three books of solo lute music in all, and one collection of duets. It is unlikely though that any of the pieces in these collections are his own compositions. Waissel's chief importance arguably lies in his expansion of the passamezzo/saltarello pairing into full suites that in form, if not title, comprise some of the earliest true dance suites.</div><div class="p">Besides his publications of lute tabulatures, he also published a collection of biblical tales in 1596, and a chronicle of East Prussia in 1599.</div><div class="p">His son, also named Matthäus, became a musician too. In 1598 he was instrumentalist at Riga, and from 1616 to 1619 he was a member of the Königsberg court chapel.</div></body></html>