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</script><h1>Carl Baermann</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Carl+Baermann/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Physharmonica</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Carl_Baermann">Wikipedia</a><div class="p">Carl Baermann (24 October 1810 – 23 May 1885) was a clarinetist and composer from Munich, Germany.</div><div class="p">He was the son of noted clarinet virtuoso <a href="http://en.instr.scorser.com/C/Physharmonica/Heinrich+Baermann/All/Popularity.html">Heinrich Baermann</a> and Helene Harlas. As a child he was taught the clarinet and the basset-horn by his father. He played occasionally in the Munich court orchestra when he was 14 years old, and was appointed its second clarinetist in 1832. When his father retired in 1834, Carl succeeded his father as principal clarinetist. He held that position until he retired in 1880.</div><div class="p">He toured Europe with his father in 1827, 1832 and 1838. In 1833 they premiered <a href="http://en.instr.scorser.com/C/Physharmonica/Felix+Mendelssohn/All/Popularity.html">Felix Mendelssohn</a>'s Konzert Stücke, Opp. 113 & 114, (Concert Pieces) to great acclaim. Carl Baermann's compositions, 88 opus numbers, were popular with clarinet virtuosos.</div><div class="p">Baermann developed the Baermann-Ottensteiner key system for the clarinet, which was based on the <a href="http://en.instr.scorser.com/C/Physharmonica/Iwan+M%c3%bcller/All/Popularity.html">Müller</a> system. The system was very popular during the late 19th century, partly because of Baermann's Vollständige Clarinett-Schule (Complete School for the Clarinet), one of the leading methods for teaching the clarinet, written between 1864 and 1875.</div><div class="p">Carl Baermann had a son, also named Carl Baermann (9 July 1839 in Munich – 17 January 1913 in Newton, Massachusetts), a pianist who studied with <a href="http://en.instr.scorser.com/C/Physharmonica/Franz+Lachner/All/Popularity.html">Franz Lachner</a> and <a href="http://en.instr.scorser.com/C/Physharmonica/Peter+Cornelius/All/Popularity.html">Peter Cornelius</a> in Munich and later became a student and friend of <a href="http://en.instr.scorser.com/C/Physharmonica/Franz+Liszt/All/Popularity.html">Franz Liszt</a>. He moved to the Boston area in America in 1881 where he became a successful pianist and teacher; <a href="http://en.instr.scorser.com/C/Physharmonica/Amy+Beach/All/Popularity.html">Amy Beach</a>, Lee Pattison, <a href="http://en.instr.scorser.com/C/Physharmonica/Frederick+Converse/All/Popularity.html">Frederick Converse</a>, Dai Buell and George Copeland were among his students. He composed a number of works for piano solo and with orchestra, and a set of etudes, op.4.</div></body></html>