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</script><h1>Louis Vuillemin</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Louis+Vuillemin/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Physharmonica</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Louis_Vuillemin">Wikipedia</a><div class="p">Louis Vuillemin (19 December 1879 – 2 April 1929) was a French composer and music critic who strongly identified with his Breton heritage in his music.</div><div class="p">Vuillemin was born in Nantes, his grandfather was the piano manufacturer M. Didion. He studied cello and composition at the conservatory of Nantes and continued at the Conservatoire de Paris, 1899–1904, with <a href="http://en.instr.scorser.com/C/Physharmonica/Gabriel+Faur%c3%a9/All/Popularity.html">Gabriel Fauré</a> (composition) and <a href="http://en.instr.scorser.com/C/Physharmonica/Xavier+Leroux/All/Popularity.html">Xavier Leroux</a> (harmony).</div><div class="p">He married young; his wife Lucy was a renowned singer at the time, and he collaborated with her in writing his vocal music. In 1912, he was one of the founding members of the Paris-based Association de Compositeurs Bretons. Drafted to World War I, he was severely wounded in a gas attack which is said to have cut short his life.</div><div class="p">As a music critic, Vuillemin wrote numerous reviews for Comœdia, Musica, Le Courrier musical, Paris-Soir, La Lanterne, etc. He also wrote biographies of Gabriel Fauré (1914), <a href="http://en.instr.scorser.com/C/Physharmonica/Louis+Aubert/All/Popularity.html">Louis Aubert</a> (1921), and <a href="http://en.instr.scorser.com/C/Physharmonica/Albert+Roussel/All/Popularity.html">Albert Roussel</a> (1924).</div><div class="p">Vuillemin wrote in many genres including two operas, orchestral and chamber music, vocal and piano music. He attracted some attention for the Breton-influenced Soir armoricains for piano, one of many examples in which he attempted to capture the spirit of his native region. En Kernéo is another example which exists in a number of instrumentations. In these, he often used elements of Breton traditional music. An admirer of <a href="http://en.instr.scorser.com/C/Physharmonica/Claude+Debussy/All/Popularity.html">Debussy</a> and <a href="http://en.instr.scorser.com/C/Physharmonica/Maurice+Ravel/All/Popularity.html">Ravel</a>, he set such melodies to an Impressionistic harmonic language.</div><div class="p">For voice and piano, if not otherwise mentioned.</div></body></html>