Augusta Holmès
Compositions for: Piano
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20 Mélodies3 chansons populaires3 Petites piècesA
Aux heureuxC
Chanson catalaneCharme du jourContes de féesContes divinsD
Dans mon cœurDans un parc abandonnéE
En cheminF
FantaisieFleur de néflierFleur de neigeG
Garci PerezH
Home, from the frayHymne à ErosHymne à VénusHymne au soleilJ
Journée fleurieL
La chanson de Jean ProuvaireLa guerrièreLa prière au drapeauLa princesse sans cœurLa vision de la reineL'appel du printempsLe chant de l'ange IsrafelLe fil des cœursLe prince aux muguetsLe retour du paladinLe ruban roseLes deux enfants de roisLes exilésLes griffes d’orLes heuresLes lavandièresLes sept ivressesLes sérénadesL'éternelle idoleL'étoile du matinL'OppriméeM
Marche des zouavesMarche gauloiseMélodies pour piano et chantMessage d'amourN
Ne nous oubliez pasNocturneNoëlNoël d'IrlandeO
Ogier le DanoisP
Paysages d'amourPlus loin!Prélude 'Ce que l'on entendit dans la nuit de Noël'PrièreR
Réponse d'ÉrosRondelRosa BenedictaS
Soir d'hiverSouvenirT
Tireli!Ton nomToujours elleU
Un rêveV
Vengeance!Viens!Violon d'amourÀ
À LydieÀ TrianonÉ
Évocation d'amourArrangements for: Piano
IrlandeLudus Pro PatriaOde triomphale en l'honneur du centenaire de 1789Pologne
WikipediaAugusta (Mary Anne) Holmès (16 December 1847 – 28 January 1903) was a French composer of Irish descent (her father was from Youghal, Co. Cork). At first she published under the pseudonym Hermann Zenta. In 1871, Holmès became a French citizen and added the accent to her last name. She herself wrote the lyrics to almost all her songs and oratorios, as well as the libretto of her opera La Montagne Noire and the programmatic poems for her symphonic poems including Irlande and Andromède.
Holmès was born in Paris to Irishman Charles William Scott Dalkeith Holmes from Youghal, County Cork. Her godfather was Alfred de Vigny. Despite showing talent at the piano, she was not allowed to study at the Paris Conservatoire, but took lessons privately. She developed her piano playing under the tutelage of local pianist Mademoiselle Peyronnet, Versailles' cathedral organist Henri Lambert, and
Hyacinthe Klosé. Also, she showed some of her earlier compositions to
Franz Liszt. Around 1876, she became a pupil of
César Franck, whom she considered her real master. (She led the group of Franck's students who in 1891 commissioned for Franck's tomb a bronze medallion from Auguste Rodin.)
Camille Saint-Saëns wrote of Holmès in the journal Harmonie et Mélodie: "Like children, women have no idea of obstacles, and their willpower breaks all barriers. Mademoiselle Holmès is a woman, an extremist." Like other female composers from the nineteenth century including
Fanny Mendelssohn and
Clara Schumann, Holmès published some of her earlier works under a male pseudonym ("Hermann Zenta") because women in European society at that time were not taken seriously as artists and were discouraged from publishing.
For the 1889 celebration of the centennial of the French Revolution, Holmès was commissioned to write the Ode triomphale for the Exposition Universelle, a work requiring about 1,200 musicians. She gained a reputation of being a composer of programme music with political meaning, such as her symphonic poems Irlande and Pologne.
Holmès never married, but she cohabited with the poet Catulle Mendès; the couple had five children, including:
Holmès bequeathed most of her musical manuscripts to the Paris Conservatoire.
(selective list)
