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Composers

Charles Dancla

All Compositions

Compositions for: Piano

#Arrangements for: Piano
#Parts for: Piano
by popularity

#

12 Original Duos, Op.18724 Scales and Melodies, Op.1153 Concert Solos, Op.773 Duos, Op.1243 Morceaux de différents caractères, Op.1483 Petites symphonies concertantes, Op.1093 Romances sans paroles, Op.576 Airs variés, Series I, Op.896 Airs variés, Series II, Op.1186 Petites fantaisies faciles, Op.1266 Petites pièces, Op.1636 Petits divertissements, Op.106

A

Andante et petit rondeau, Op.154Andante mélodique, Op.214Andante religioso, Op.186Andantino et polonaise brillante, Op.112

F

Fantaisie brillante sur 'La Fille du Regiment', Op.144Fantaisie brillante sur 'Robert le diable', Op.147Fantaisie-caprice sur 'Faust', Op.133

H

Hommage à l'amitié, Op.66

I

Impromptu, Op.184Introduction et Rondeau-Caprice, Op.182

L

La charmille, Op.135La fille aux oiseauxLa Promesse, Op.223La Vision!, Op.185Le mélodiste, Op.86Le Souvenir, Op.58Les bagneraises, Op.16Les perles d’Italie, de France et d’Allemagne, Op.107bisLes premiers aveuxLes rayons d'or, Op.27

N

Nouvelle école de la mélodie

P

Petite école de la mélodie, Op.123Petite école de la mélodie, Op.129Petites pièces mignonnes, Op.149Piano Trio No.2, Op.37Piano Trio No.4, Op.51

R

Résignation, Op.59Rigodon, Op.206

S

Séparation, Op.183Simple histoire, Op.166Solo de concours No.7, Op.224Souvenir du Théâtre Italien, Op.83Symphonie Concertante, Op.198

T

Theme and VariationsTrio brillant, Op.22

V

Variations brillantes sur 'Le carnaval de Venise', Op.120

É

École de l'accompagnement, Op.175

Arrangements for: Piano

3 Duos faciles, Op.1173 Petites symphonies concertantes, Op.1096 Petits trios faciles et concertants, Op.99Résignation, Op.59Symphonie concertante No.4, Op.98

Parts for: Piano

Theme and Variations
Wikipedia
(Jean Baptiste) Charles Dancla (19 December 1817 – 10 October 1907) was a French violinist, composer and teacher.
Dancla was born in Bagnères-de-Bigorre. When he was nine years old, violinist Pierre Rode in Bordeaux heard his music; he was so impressed that he sent a recommendation letter to Pierre Baillot, Luigi Cherubini and Rodolphe Kreutzer. Thus Dancla went to the Paris Conservatory and studied with Baillot for violin and Fromental Halévy for composition. He was strongly influenced by Niccolò Paganini, whom he heard in 1830, as well as by Henri Vieuxtemps. From 1835 onward Dancla was solo violinist in the Paris Opéra, and shortly thereafter he became concert master. In 1857 he was made a professor at the Paris Conservatory where he was a successful teacher for over 35 years. He died in Tunis.
His two brothers were Arnaud Dancla (1819–1862), cellist and author of a considerable cello teaching method, and Leopold Dancla (1822–1895), violinist and composer of chamber music.