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</script><h1>Giacomo Cordella</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Giacomo+Cordella/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Recorder</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Giacomo_Cordella">Wikipedia</a><div class="p">Giacomo Cordella (Naples, 25 July 1786 – Naples, 8 May 1847) was an Italian composer.</div><div class="p">Cordella studied in Naples with <a href="http://en.instr.scorser.com/C/Recorder/Fedele+Fenaroli/All/Popularity.html">Fedele Fenaroli</a> and <a href="http://en.instr.scorser.com/C/Recorder/Giovanni+Paisiello/All/Popularity.html">Giovanni Paisiello</a>. In 1804 he composed his first work, a cantata entitled La Vittoria dell'Arca contro Gerico. With the help of Paisiello in 1805 he had the possibility to produce in Venice his first opera, Il ciarlatano, which was appreciated for its comic verve and then performed in other cities in northern Italy, including Milan, Turin and Padua.</div><div class="p">Cordella continued his activity mainly in Naples, where he was appreciated for his opere buffe, while his few opere serie met with failures. His greatest success was Una follia, first performed in 1813, an opera buffa featuring "a vivacious plot and a melody that flows agreeably". Cordella composed also sacred music.</div><div class="p">Cordella composed many other works, including masses, motets and works for small ensembles.</div><div class="p">Notes</div><div class="p">Sources</div></body></html>