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</script><h1>Antonio Bartolomeo Bruni</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Antonio+Bartolomeo+Bruni/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Antonio_Bartolomeo_Bruni">Wikipedia</a><div class="p">Antonio Bartolomeo Bruni (January 28, 1757 – August 6, 1821) was an Italian violinist, composer and conductor. Bruni was born and died in Cuneo, Italy. During most of his life he resided, played and composed in Paris.</div><div class="p">At the height of the French 'terror', c.1791, Bruni authored Un Inventaire sous la terreur which lists musical instruments recovered from noble households. This inventory was published by J. Gallay, editor (Paris: Georges Chamerot, 1890). In the scholarly work The Hurdy-Gurdy in Eighteenth-Century France by Robert E. Green (Indiana University Press, 1995), where the Bruni text is footnoted, Green says of Bruni's inventory "from 111 noble households (it) lists six which possessed vielles (hurdy-gurdies)." p. 17. In the fictional novel The Piano Tuner by Daniel Mason where this affair is again referred to thus: "A Temporary Commission of Arts was set up and ... Bruni ... was named Director of the Inventory. For fourteen months he collected the instruments of the condemmed [sic?]. In all, over three hundred were gathered, and each carries its own tragic tale." Mason goes on to say that 64 were pianofortes.</div></body></html>