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</script><h1>Dionisio Aguado y García</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Dionisio+Aguado+y+Garc%c3%ada/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Dionisio_Aguado_y_García">Wikipedia</a><div class="p">Dionisio Aguado y García (8 April 1784 – 29 December 1849) was a Spanish classical guitarist and composer of the late Classical and early Romantic periods.</div><div class="p">Born in Madrid, he studied with Miguel García. In 1826, Aguado visited Paris, where he met and became friends with and for a while lived with <a href="http://en.instr.scorser.com/C/String+ensemble/Fernando+Sor/All/Popularity.html">Fernando Sor</a>. Sor's duo Les Deux Amis ("The Two Friends") commemorated the friendship: one part is marked "Sor" and the other "Aguado."</div><div class="p">Aguado's major work Escuela de Guitarra was a guitar tutorial published in 1825. As of 2011, it is still in print, with Tecla Editions releasing a reprint in 2005. In the Escuela Aguado describes his use of fingernails on the right hand as well as his invention of a "tripodison": a device that held the guitar and thus minimized the damping effect of the player's body on the guitar's back and sides. Aguado's other works include Trois Rondos Brillants (Opus 2), Le Menuet Affandangado (Opus 15), Le Fandango Varie (Opus 16), as well as numerous waltzes, minuets, and other light pieces. The more extended works require a virtuoso technique and left-hand stretches that are almost impossible on the longer string lengths of modern guitars. (See Frederick Noad, "The Classical Guitar")</div><div class="p">Aguado returned home to Madrid in 1837 and died there aged 65.</div><div class="p">Aguado's surname comes from the Spanish word for "soaked." (This is because an ancient relative of his, who was a knight, returned after a battle caked in mud. The nickname then eventually became the surname.</div><div class="p">Of the instruments used by Aguado, two which were built by</div><div class="p">are held at the Museo Arqueológico Nacional in Madrid. Aguado is known for having used a tripod to support his guitar.</div><div class="p">Works without Opus number:</div></body></html>