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</script><h1>Juan Morel Campos</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Juan+Morel+Campos/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Juan_Morel_Campos">Wikipedia</a><div class="p">Juan Morel Campos (16 May 1857 – 12 May 1896), sometimes erroneously spelled Juan Morell Campos, was a Puerto Rican composer, considered by many to be responsible for taking the genre of danza to its highest level. He composed over 550 musical works before he died unexpectedly at age 38.</div><div class="p">Morel Campos (full name: Juan Nepomuceno Morel Campos) was born in Ponce, Puerto Rico, to Manuel Morel Araujo, from the Dominican Republic, and Juana de Dios Campos Collazo, from Venezuela. He began to study music at the young age of eight in his hometown under the guidance of Antonio Egipciaco. Morel Campos was a student of Puerto Rican composer and pianist Gonzalo de J. Núñez (1850 - 1915), whose students also included the internationally known musicians and composers <a href="http://en.instr.scorser.com/C/String+ensemble/Manuel+Gregorio+Tav%c3%a1rez/All/Popularity.html">Manuel Gregorio Tavárez</a> and Arístides Chavier Arévalo. Morel Campos learned to play practically every brass instrument and eventually became one of the founders and directors of the "Ponce Firemen's Band" (La Banda de Bomberos del Parque de Bombas de Ponce). The legendary Band was later renamed the Ponce Municipal Band.</div><div class="p">Later, Morel Campos became a student of the composer Manuel Gregorio Tavárez, "The Father of the Danza". Campos' first danza composition was called "Sopapos". The influence of Tavárez, plus the particular style developed by Morel Campos can be listened to in his music today.</div><div class="p">Morel Campos had his own dance orchestra, "La Lira Ponceña." Most of his danzas were written for dancing. He modified his compositions so that they may also be played on piano. Morel Campos is best known for his danza compositions, but he also composed waltzes, operas, symphonies, marches and overtures.</div><div class="p">Women and the theme of love inspired most of his musical compositions. His great love was a lady named Mercedes Arias, but her family did not approve of their relationship. It was from that frustrated "love" that many of Morel Campos' beautiful danzas were born, "Maldito Amor" (Damned Love) is an example. Among his best-known compositions are "Felices Dias" (Happy Days), "No Me Toques" (Do Not Touch Me), "Idilio," and "Maldito Amor" (Damned Love).</div><div class="p">The following is a list of some of Morel Campos' Danza's:</div><div class="p">Domingo Cruz "Cocolía" became director of the Firefighters' Band upon the untimely death of Morel Campos.</div><div class="p">Juan Morel Campos suffered a stroke on 26 April 1896 during a concert in Ponce. He died of the stroke soon thereafter on 16 May, in Ponce. In December 1926, his remains were buried on the pedestal of his statue in Plaza Las Delicias. His wife was Secundina Beltrán Collazo. Their children were Olimpia, Eugenia, Belén, Plácido, and Manuel.</div></body></html>