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</script><h1>Philippe-François Véras</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Philippe-Fran%c3%a7ois+V%c3%a9ras/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Philippe-François_Véras">Wikipedia</a><div class="p">Philippe-François Véras was a French composer, organist and harpsichordist active in Lille about 1740.</div><div class="p">Veras was organist at the Saint-Maurice church in Lille, and published a small collection of harpsichord works in 1740. A small amount of biographical information can be gleaned from this 1740 publication, as it plainly states he was employed there. As was typical of harpsichord works of this period, the pieces are organized in "Ordres" (a free-form suite of compositions containing descriptive, picturesque titles) in a manner similar to <a href="http://en.instr.scorser.com/C/String+ensemble/Fran%c3%a7ois+Couperin/All/Popularity.html">François Couperin</a> before him. The music of Véras suggests he was influenced by Italian styles: the melodic contours and harmonic language of his works show a substantial stylistic affinity with the sonatas of <a href="http://en.instr.scorser.com/C/String+ensemble/Domenico+Scarlatti/All/Popularity.html">Domenico Scarlatti</a>. The third movement of his first "ordre" is entitled "La volliante, dans le goût italien" (La volliante, in the Italian taste/manner). A facsimile edition of these works was published in 1982 by Minkoff (Genève), ISBN 2-8266-0792-8.</div><div class="p">The following is a list of these pieces:</div><div class="p">Pièces de Clavecin - Premier Livre (1740)</div></body></html>