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</script><h1>Semen Hulak-Artemovsky</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Semen+Hulak-Artemovsky/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Semen_Hulak-Artemovsky">Wikipedia</a><div class="p">Semen Stepanovich Hulak-Artemovsky (Ukrainian: Семен Степанович Гулак-Артемовський, also referred to as Semyon Gulak-Artemovsky and Artemovs’kyj) (February 16 [O.S. February 4] 1813 – April 17 [O.S. April 5] 1873), was a Ukrainian opera composer, singer (baritone), actor, and dramatist who lived and worked in Imperial Russia.</div><div class="p">He is known mainly for his comic opera <a href="http://en.instr.scorser.com/CC/String+ensemble/Semen+Hulak-Artemovsky/Zaporozhets+za+Dunayem.html">Zaporozhets za Dunayem</a> (A Zaporozhian (Cossack) Beyond the Danube), as well as for his dramatic talent and his powerful, rich baritone voice. He was the nephew of the poet Petro Hulak-Artemovsky and a close friend of Taras Shevchenko.</div><div class="p">Hulak-Artemovsky was born in Horodyshche, Kiev Governorate (today in independent Ukraine) to the family of a priest, and went on to study at the Kiev Theological Seminary from 1835 to 1838. Having gained the attention of <a href="http://en.instr.scorser.com/C/String+ensemble/Mikhail+Glinka/All/Popularity.html">Mikhail Glinka</a>, the young Semen was brought to the capital of the empire, St Petersburg, in 1838 to receive vocal training directly from Glinka, as well as entry into the Imperial Chapel Choir. The following year, Hulak-Artemovsky left to continue his studies in Italy. Towards the end of his stay in that country, he began performing opera in Florence. Upon his return to St. Petersburg in 1842, Hulak-Artemovsky became a soloist of the Imperial Opera at the Imperial Bolshoi Kamenny Theatre, a position he held for 22 years. In 1852 and 1853 he sang roles in <a href="http://en.instr.scorser.com/C/String+ensemble/Anton+Rubinstein/All/Popularity.html">Anton Rubinstein</a>'s first two operas, <a href="http://en.instr.scorser.com/CC/String+ensemble/Anton+Rubinstein/Dmitry+Donskoy.html">Dmitry Donskoy</a> and Fomka the Fool.</div><div class="p">Hulak-Artemovsky performed at the Bolshoi Theatre in Moscow from 1864 to 1865. He performed over fifty operatic roles during his career, including Ruslan in Glinka's Ruslan and Lyudmila, Masetto in <a href="http://en.instr.scorser.com/C/String+ensemble/Wolfgang+Amadeus+Mozart/All/Popularity.html">Mozart's</a> Don Giovanni, as well as Antonio and Lord Ashton in Donizetti's Linda di Chamounix and <a href="http://en.instr.scorser.com/CC/String+ensemble/Gaetano+Donizetti/Lucia+di+Lammermoor.html">Lucia di Lammermoor</a>.</div><div class="p">A composer of operas, as well as vocal and instrumental music, Hulak-Artemovsky composed his seminal work Zaporozhets za Dunayem in 1864, after completing the libretto in 1862.</div><div class="p">His friendship with Taras Shevchenko began in the fall of 1838, after a chance meeting in St. Petersburg. The lifelong friendship continued during Shevchenko's incarceration and subsequent release, and was said to have strongly influenced Hulak-Artemovsky's view of the world. He dedicated his song A Maple Tree Stands Over The River (Ukrainian: Стоїть явір над вoдoю, translit. Stoyit' yavir nad vodoyu) to Shevchenko.</div><div class="p">Hulak-Artemovsky died at the age of 60 in Moscow.</div></body></html>