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</script><h1>Václav Jindřich Veit</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/V%c3%a1clav+Jind%c5%99ich+Veit/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="hd"><a href="http://en.instr.scorser.com/C/String+ensemble/V%c3%a1clav+Jind%c5%99ich+Veit/All/Alphabeticly.html">by alphabet</a></div><div class="clear10"></div><a href="http://en.instr.scorser.com/CC/String+ensemble/V%c3%a1clav+Jind%c5%99ich+Veit/Violin+Concertino%2c+Op.25.html">Violin Concertino, Op.25</a><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Václav_Jindřich_Veit">Wikipedia</a><div class="p">Václav Jindřich Veit known in German as Wenzel Heinrich Veit (19 January 1806 in the village of Řepnice, now part of Libochovany, near Litoměřice – 16 February 1864, Litoměřice) Czech composer, copyist, pianist and lawyer.</div><div class="p">To pay tuition at a law school in Prague, Veit gave music lessons. After earning his law degree and getting a position as a legal clerk, Veit continued to teach music and even started writing music. He wrote mostly chamber music, and later on in his life wrote more and more songs with texts in Czech, such as "Pozdravení pěvcovo". He also wrote some church music, including a setting of the <a href="http://en.instr.scorser.com/CC/String+ensemble/John+Rogers+Thomas/Te+Deum.html">Te Deum</a> and a couple of masses. Although he wrote some orchestral music, such as a violin concertino and a parody of <a href="http://en.instr.scorser.com/C/String+ensemble/Hector+Berlioz/All/Popularity.html">Berlioz</a>'s <a href="http://en.instr.scorser.com/CC/String+ensemble/Hector+Berlioz/Symphonie+fantastique.html">Symphonie fantastique</a>, Veit only wrote one symphony, in E minor, which is however considered "a notable milestone in the development of the Czech symphonic style."</div></body></html>