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</script><h1>Václav Tomášek</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/V%c3%a1clav+Tom%c3%a1%c5%a1ek/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Václav_Tomášek">Wikipedia</a><div class="p">Václav Jan Křtitel Tomášek (in German: Wenzel Johann Tomaschek; 17 April 1774, Skuteč, Bohemia – 3 April 1850, Prague) was an Austrian-Bohemian, by other accounts a Czech composer and music teacher. He was known as the Musical Pope of Prague. In the words of Kenneth Delong, “Highly opinionated, often sarcastic and projecting a sense of his own importance, Tomášek's memoirs also reveal him to be deeply concerned about all things artistic and intellectual: a man of courage and idealism, unflinching in his pursuit of truth in music and in life.”</div><div class="p">As a pianist, he was an autodidact, becoming one of the most important piano teachers of Prague for a century. Tomasek studied violin and singing with Wolf. Until 1824 he worked as a piano teacher in aristocratic families. Afterwards he created a considerable school of music; among its most well-known pupils were <a href="http://en.instr.scorser.com/C/String+ensemble/Jan+V%c3%a1clav+Vo%c5%99%c3%ad%c5%a1ek/All/Popularity.html">Jan Voříšek</a>, <a href="http://en.instr.scorser.com/C/String+ensemble/Alexander+Dreyschock/All/Popularity.html">Alexander Dreyschock</a>, <a href="http://en.instr.scorser.com/C/String+ensemble/Johann+Friedrich+Kittl/All/Popularity.html">Johann Friedrich Kittl</a> and <a href="http://en.instr.scorser.com/C/String+ensemble/Eduard+Hanslick/All/Popularity.html">Eduard Hanslick</a>. Tomášek made the acquaintance of Beethoven, and also of Goethe, whose poems he set. He maintained correspondence with the Polish pianist and composer Maria Agata Szymanowska. His autobiography was published in German, as well as in a Czech translation. He lived at number 15 Tomášská Street in Prague - the building bears a memorial plaque to him in Czech and German.</div><div class="p">Tomášek wrote a good deal for the piano and became a forerunner of the lyric piano piece which later reached its apogee in the works of <a href="http://en.instr.scorser.com/C/String+ensemble/Franz+Schubert/All/Popularity.html">Schubert</a> and Chopin. At first he remained loyal to the Classical style, but later was influenced by the newly born Romanticism. An important part of his oeuvre are his songs. Besides songs to Goethe's German poems he composed also songs to the patriotic lyrics of Czech authors. He composed short pieces for glass harp and organ, and works for choir.</div><div class="p">In 1823-1824, he was one of the 50 composers who composed a variation on a waltz by <a href="http://en.instr.scorser.com/C/String+ensemble/Anton+Diabelli/All/Popularity.html">Anton Diabelli</a> for <a href="http://en.instr.scorser.com/CC/String+ensemble/Anton+Diabelli/Vaterl%c3%a4ndischer+K%c3%bcnstlerverein.html">Vaterländischer Künstlerverein</a>.</div><div class="p">Piano:</div><div class="p">Chamber:</div><div class="p">Orchestral:</div><div class="p">Songs:</div><div class="p">Operas:</div><div class="p">Choral:</div></body></html>