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</script><h1>Wacław of Szamotuły</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Wac%c5%82aw+of+Szamotu%c5%82y/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String ensemble</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Wacław_of_Szamotuły">Wikipedia</a><div class="p">Wacław z Szamotuł (Szamotuły, near Poznań, c. 1520 – c. 1560, Pińczów), also called Wacław Szamotulski and (in Latin) Venceslaus Samotulinus, was a Polish composer.</div><div class="p">Wacław z Szamotuł was a student at the Lubrański Academy in Poznań later studying at Kraków University in 1538. In 1547 or 1548 he was appointed composer to the court of Sigismund II Augustus. In 1555 Wacław left Kraków, having received the title of "royal composer." Nevertheless, during Szamotuly's lifetime his music was known outside of Poland.</div><div class="p">He died early, and only a few of his works survive. In the words of Szymon Starowolski, who wrote the first concise biography of Wacław, "If the gods had let him live longer, the Poles would have no need to envy the Italians their <a href="http://en.instr.scorser.com/C/String+ensemble/Giovanni+Pierluigi+da+Palestrina/All/Popularity.html">Palestrina</a>, Lappi or <a href="http://en.instr.scorser.com/C/String+ensemble/Lodovico+Grossi+da+Viadana/All/Popularity.html">Vedana</a>."</div><div class="p">His motets In te Domine speravi and Ego sum pastor bonus were the first Polish musical compositions to be published abroad. According to Gustave Reese, Wacław's style may be seen in both of these motets; "the constant overlapping of phrases and full-fledged imitative style reveal Franco-Netherlandish influence."</div><div class="p">Motets (Motety)</div><div class="p">Songs (Pieśńi)</div></body></html>