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</script><h1>George Kirbye</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/George+Kirbye/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String instrument</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/George_Kirbye">Wikipedia</a><div class="p">George Kirbye (c. 1565 – buried 6 October 1634) was an English composer of the late Tudor period and early Jacobean era. He was one of the members of the English Madrigal School, but also composed sacred music.</div><div class="p">Little is known of the details of his life, though some of his contacts can be inferred. He worked at Rushbrooke Hall near Bury St Edmunds, evidently as a tutor to the daughters of Sir Robert Jermyn. In 1598 he married Anne Saxye, afterwards moving to Bury St Edmunds. Around this time he probably made the acquaintance of John Wilbye, a much more famous madrigalist, who lived and worked only a few miles away, and whose style he sometimes approaches. In 1626 his wife died, and he is known to have been a churchwarden during the next several years until his death.</div><div class="p">Kirbye's most significant musical contributions were the psalm settings he wrote for East's psalter in 1592, the madrigals he wrote for the Triumphs of Oriana (1601), the famous collection dedicated to Elizabeth I, and an independent set of madrigals published in 1597. Stylistically his madrigals have more in common with the Italian models provided by <a href="http://en.instr.scorser.com/C/String+instrument/Luca+Marenzio/All/Popularity.html">Marenzio</a> than do many of the others by his countrymen: they tend to be serious, in a minor mode, and show a careful attention to text setting; unlike Marenzio, however, he is restrained in his specific imagery.</div><div class="p">Kirbye avoided the light style of <a href="http://en.instr.scorser.com/C/String+instrument/Thomas+Morley/All/Popularity.html">Morley</a>, which was hugely popular, and brought into the madrigal serious style of pre-madrigal English music. He is not as often sung as Morley, <a href="http://en.instr.scorser.com/C/String+instrument/Thomas+Weelkes/All/Popularity.html">Weelkes</a> or Wilbye, but neither was he as prolific; still, some of his madrigals appear in modern collections.</div></body></html>