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</script><h1>Basil Harwood</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Basil+Harwood/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String trio</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Basil_Harwood">Wikipedia</a><div class="p">Basil Harwood (11 April 1859 – 3 April 1949) was an organist and composer in the English church music tradition, best known today for his liturgical works, particularly his anthem O How Glorious is the Kingdom (1898) and his Service in A flat (1892), which still remain popular in English churches. He wrote numerous hymn tunes, several of which became well-known including Luckington ("Let All the World in Every Corner Sing") and Thornbury ("O Jesus I Have Promised" and "Thy hand, O God, has Guided").</div><div class="p">Basil Harwood was born on 11 April 1859 at Woodhouse, Olveston, Gloucestershire, the youngest child of Edward Harwood (1818–1907), a banker. His mother Mary, née Sturge (1840–1867), was of Quaker extraction, and Harwood was brought up in that faith until a switch to Anglicanism in 1869 following his father's second marriage.</div><div class="p">As a boy, Harwood attended Walton Lodge preparatory school in Clevedon, followed in 1864 by Charterhouse. In 1876 he won a scholarship to Trinity College, Oxford, where he was placed in the second class in classical moderations (1879) and the third in modern history (1881). He took his music degree (BMus) in 1880, studying with C. W. Corfe, then the university's Choragus (assistant to the professor of music).</div><div class="p">After Oxford, Harwood spent a year in Leipzig studying composition with <a href="http://en.instr.scorser.com/C/String+trio/Salomon+Jadassohn/All/Popularity.html">Jadassohn</a> and the organ with Papperitz.</div><div class="p">Harwood's first professional position was organist of St Barnabas', Pimlico in 1883, a post he held until 1887. He then served as organist at Ely Cathedral for five years, followed by a final move to Oxford in 1892 where he remained organist of Christ Church Cathedral until his retirement in 1909.</div><div class="p">He became Doctor of Music (DMus) in 1896, submitting as his doctoral work a setting of Psalm 86, Inclina domine.</div><div class="p">During his time in Oxford Harwood acted as conductor of the Oxford Orchestral Association (1892–8), and became the first conductor of the Oxford Bach Choir in 1896. He held the position of Precentor of Keble College between 1892 and 1903, and was Choragus at the University from 1900 until his retirement. He edited The Oxford Hymn Book (1908) as well as acting as an Oxford examiner for several academic years between 1900 and 1915.</div><div class="p">Harwood's musical works sit within the 'English' tradition established by <a href="http://en.instr.scorser.com/C/String+trio/Samuel+Sebastian+Wesley/All/Popularity.html">Wesley</a>, <a href="http://en.instr.scorser.com/C/String+trio/John+Stainer/All/Popularity.html">Stainer</a>, <a href="http://en.instr.scorser.com/C/String+trio/Hubert+Parry/All/Popularity.html">Parry</a> and <a href="http://en.instr.scorser.com/C/String+trio/Charles+Villiers+Stanford/All/Popularity.html">Stanford</a>. He is best known today for his liturgical works, particularly his anthem O How Glorious is the Kingdom (1898) and his Service in A flat (1892), which still remain popular with English choirs. He wrote numerous hymn tunes, several of which became well-known including Luckington ("Let All the World in Every Corner Sing"), Thornbury ("O Jesus I Have Promised" and "Thy hand, O God, has Guided"), and St Audrey ("Sing ye Faithful, Sing with Gladness").</div><div class="p">He produced a number of choral works, often for church festivals, including Inclina Domine (Gloucester Festival 1898); As by the Streams of Babylon (Oxford Bach Choir 1907); Jesus, Thy Boundless Love (St Paul's Cathedral 1909); Song on May Morning (Leeds Festival 1913); Love Incarnate (Gloucester Festival 1925); Ye Choirs of New Jerusalem (Gloucester Festival 1928); and Sacrifice Triumphant (1939).</div><div class="p">Harwood's organ style was distinctive and technically challenging. He made significant contributions to the repertory of English Romantic music with works requiring considerable virtuoso technique such as Sonata no.1 in C sharp minor op.5, Dithyramb op.7, and Toccata op.49. His love of plainchant and hymn tunes is often evident in his organ works.</div><div class="p">Harwood was deeply religious and was said to have had a quiet, gentle, and reserved personality. On 27 December 1899 he married one of his former pupils, Mabel Ada Jennings (1871–1974). The couple had two sons, John Edward Godfrey (born 1900) and Basil Anthony (born 1903). In 1909 Harwood took early retirement and returned to Gloucestershire to manage his family estate there.</div><div class="p">In 1936 Harwood and his wife moved to London, where they remained except for some temporary absences in Bournemouth and then Shiplake during the war. Harwood died on 3 April 1949 at his home in Courtfield Gardens, Kensington, aged 89. His ashes were interred in St Barnabas's Church, Pimlico.</div></body></html>