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</script><h1>Manuel Klein</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Manuel+Klein/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String trio</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Manuel_Klein">Wikipedia</a><div class="p">Manuel Joachim Klein (6 December 1876 – 1 June 1919) was an English-born composer of musical theatre and incidental music who worked primarily in New York City.</div><div class="p">Klein was born in London, to parents Herman and Adelaide (née Soman). Apparently, the elder Klein emigrated from Riga, Latvia. Once in Norwich, Hermann became a professor of foreign languages at the King Edward VI Grammar School, and Adelaide taught dance. The younger Klein's five brothers included Max, a violinist; Charles, a playwright; Herman, a music critic and music teacher; Alfred, an actor; and Philip. They had a sister, Adelaide. He was the uncle of producer Philip Klein (1888–1935). Klein was educated in London and at Tivoli House Academy, Gravesend, Kent, England.</div><div class="p">Klein moved to the US on 11 April 1896. He was the music director for David Belasco's theatre company in New York City for several years before devoting himself to composing. His first Broadway success was the musical Mr. Pickwick, starring De Wolf Hopper. Grant Stewart wrote the lyrics, and Klein's brother Charles wrote the book. He also conducted for Charles Frohman, with whom Klein's brother, Charles, was later killed on the RMS Lusitania, among others.</div><div class="p">Tin Pan Alley songwriter and publisher Gus Edwards helped Klein to obtain the position of musical director of the prestigious New York Hippodrome theatre in 1905. Klein was soon composing songs and music for numerous spectacles presented at the Hippodrome consisting of different acts, each one with their own thematic musical concept. He collaborated with <a href="http://en.instr.scorser.com/C/String+trio/L.+Frank+Baum/All/Popularity.html">L. Frank Baum</a> on The Tik-Tok Man of Oz, beginning in 1909, which was finally produced in 1913 without Klein's music. He left the Hippodrome in 1915 after a disagreement with its manager, Jacob J. Shubert, over the orchestra. Shubert asked Klein to send some drums, trumpets and other instruments over to the Winter Garden Theater, where he was producing another show. Klein refused to send them, as he needed them for his own orchestra. After an argument, Klein offered his resignation and Shubert accepted it. The Hippodrome company sided with Klein, and Shubert was forced to sell his interest. Klein went back to England the same year and became music director of the Gaiety Theatre, London. He suffered a trauma at the bombing of the theatre during World War I by the Zeppelins and never fully recovered.</div><div class="p">Klein returned to New York and died in Yonkers, New York on 1 June 1919, as a result of the earlier trauma. After his death, the Klein family sued the German government for the loss of Manuel and his brother Charles (a victim of the sinking of the RMS Lusitania).</div><div class="p">Klein married his wife, Helen (born 16 September 1884 in Cincinnati, Ohio), in approximately 1905. They had a daughter, Marjorie, born 28 March 1909 and a son, Gerald, born 18 March 1912. Klein became a naturalised American citizen on 9 August 1910.</div><div class="p">As of the 1930 United States Federal Census, the family had moved to Beverly Hills, California. Helen was working as a teacher, Marjorie as a stenographer for the movie industry, and Gerald as a radio repairman.</div><div class="p">Music by Klein except as noted:</div><div class="p">Although many individual songs by Klein were published, much of his incidental music remains in manuscript. Since he worked "for hire" at the Hippodrome, Charles Frohman and later R. H. Burnside retained his music manuscripts. They now form part of the Burnside collection of American theater music manuscripts in the Music Division of The New York Public Library for the Performing Arts.</div></body></html>