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</script><h1>William Spark</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/William+Spark/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: String trio</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/William_Spark">Wikipedia</a><div class="p">William Spark (28 October 1823 - 16 June 1897) was an English musician, writer, composer and organist based in Leeds.</div><div class="p">Spark was born in Exeter on 28 October 1823 and died in Leeds on 16 June 1897. He was a chorister at Exeter Cathedral and studied with the composer <a href="http://en.instr.scorser.com/C/String+trio/Samuel+Sebastian+Wesley/All/Popularity.html">Samuel Sebastian Wesley</a> in his home town of Exeter in 1840 and moved with him to Leeds in 1842.</div><div class="p">Spark's first post was as deputy organist to Wesley at Leeds Parish Church in 1842. He then worked as organist and choirmaster at Chapeltown Church.</div><div class="p">In 1850 Spark was appointed organist to St George's Church. In 1859 he helped to design the organ for Leeds Town Hall together with <a href="http://en.instr.scorser.com/C/String+trio/Henry+Smart/All/Popularity.html">Henry Smart</a>. The following year he was appointed Leeds Municipal Organist and held the post until his death in 1897.</div><div class="p">He was a major contributor to the musical life of 19th century Leeds. He founded the Leeds Madrigal and Motet Society and the Leeds Recreation Society. The latter organised People's Concerts in the Albion Street Music Hall from 1852-1859. From 1864 he helped to organised orchestral subscription concerts at Leeds Town Hall and was a key organiser of the Leeds Triennial Musical Festivals.</div><div class="p">In 1851 Spark wrote a Lecture on Church Music, More Particularly the Choral Service of the Church of England as Applied to Parochial Worship.</div><div class="p">In 1869 he began publishing the Organist’s Quarterly Journal to showcase new organ compositions by English and continental composers.</div><div class="p">In 1888 he published a collection of his writings and reminiscences under the title Musical Memories, including portraits of the conductor <a href="http://en.instr.scorser.com/C/String+trio/Michael+Costa/All/Popularity.html">Sir Michael Costa</a>, composer <a href="http://en.instr.scorser.com/C/String+trio/Felix+Mendelssohn/All/Popularity.html">Felix Mendelssohn</a> and soprano Adelina Patti.</div><div class="p">A further book Musical Reminiscences: Past and Present was published in 1892.</div><div class="p">Easy Voluntary in G major</div><div class="p">Gavotte in D Major</div><div class="p">Grand March composed by in celebration of Leeds being made a City, 1893</div><div class="p">Immanuel (oratorio) 1887-1889</div><div class="p">Introduction & Fughetto in E flat</div><div class="p">Jerusalem the Golden</div><div class="p">Minuet in A Minor</div><div class="p">The Ancient Vesper Hymn 'Theme, variations and fugue'</div></body></html>