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</script><h1>Josef Slavik</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Josef+Slavik/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Tenor saxophone</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Josef_Slavik">Wikipedia</a><div class="p">Josef Slavík (26 March 1806 – 30 May 1833), also known as Josef Slawjk or Joseph Slawik, was a Bohemian violin virtuoso and composer, who was expected by Vienna musical critics to become <a href="http://en.instr.scorser.com/C/Tenor+saxophone/Niccol%c3%b2+Paganini/All/Popularity.html">Paganini</a>'s successor after composing a supposedly unplayable Concerto in F-sharp minor and teaching himself to play Paganini's "La Campanella" after a single hearing.</div><div class="p">The first son of Barbora (born Krásová) and Antonín Slavík, teacher and musician, who started to teach Josef violin in the age of four.</div><div class="p">Later on, he was a student of violin by Friedrich Wilhelm Pixis and music theory and composition by Friedrich Dionys Weber at the Prague Conservatory. Pixis wondered how anyone could write down such mad, unplayable stuff after seeing some of Slavík's compositions (a concerto, variations, etc.). Before leaving Prague, Slavík proved at a farewell concert at the Prague Conservatory that there was at least one who could play the mad stuff. He went to Vienna in 1825 and became a sensation. He was then a young man of nineteen, but already technically superior to other violinists that had been heard in the Austrian capital. The celebrated Mayseder called him a second Lipinski.</div><div class="p"><a href="http://en.instr.scorser.com/C/Tenor+saxophone/Fr%c3%a9d%c3%a9ric+Chopin/All/Popularity.html">Frédéric Chopin</a> who heard Slavík on several occasions described his skills as:  "With the exception of Paganini, I have never heard a player like him. Ninety-six staccatos in one bow! It is almost incredible! He plays like a second Paganini, but a rejuvenated one, who will perhaps in time surpass the first. Slavík fascinates the listener and brings tears into his eyes... he makes humans weep, more he makes tigers weep."</div><div class="p"><a href="http://en.instr.scorser.com/C/Tenor+saxophone/Franz+Schubert/All/Popularity.html">Franz Schubert</a> composed two violin sonata-like pieces for Slavík and pianist <a href="http://en.instr.scorser.com/C/Tenor+saxophone/Carl+Maria+von+Bocklet/All/Popularity.html">Carl Maria von Bocklet</a>: the Rondo in B minor, D 895 (1826), and the <a href="http://en.instr.scorser.com/CC/Tenor+saxophone/Franz+Schubert/Fantasy+for+violin+and+piano.html">Fantasy in C major, D 934</a> (1827).</div><div class="p">Source</div></body></html>