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</script><h1>Albert Lavignac</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Albert+Lavignac/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Tenor</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Albert_Lavignac">Wikipedia</a><div class="p">Alexandre Jean Albert Lavignac (21 January 1846 – 28 May 1916) was a French music scholar, known for his essays on theory, and a minor composer.</div><div class="p">Lavignac was born in Paris and studied with <a href="http://en.instr.scorser.com/C/Tenor/Antoine+Fran%c3%a7ois+Marmontel/All/Popularity.html">Antoine François Marmontel</a>, <a href="http://en.instr.scorser.com/C/Tenor/Fran%c3%a7ois+Benoist/All/Popularity.html">François Benoist</a> and <a href="http://en.instr.scorser.com/C/Tenor/Ambroise+Thomas/All/Popularity.html">Ambroise Thomas</a> at the Conservatoire de Paris, where later he taught harmony. Among his pupils were <a href="http://en.instr.scorser.com/C/Tenor/Henri+Casadesus/All/Popularity.html">Henri Casadesus</a>, <a href="http://en.instr.scorser.com/C/Tenor/Claude+Debussy/All/Popularity.html">Claude Debussy</a>, <a href="http://en.instr.scorser.com/C/Tenor/Vincent+d%27Indy/All/Popularity.html">Vincent d'Indy</a>, <a href="http://en.instr.scorser.com/C/Tenor/Am%c3%a9d%c3%a9e+Gastou%c3%a9/All/Popularity.html">Amédée Gastoué</a>, <a href="http://en.instr.scorser.com/C/Tenor/Philipp+Jarnach/All/Popularity.html">Philipp Jarnach</a>, Henri O'Kelly, <a href="http://en.instr.scorser.com/C/Tenor/Gabriel+Piern%c3%a9/All/Popularity.html">Gabriel Pierné</a>, Wadia Sabra, <a href="http://en.instr.scorser.com/C/Tenor/Florent+Schmitt/All/Popularity.html">Florent Schmitt</a>. See: List of music students by teacher: K to M#Albert Lavignac.</div><div class="p">In March 1864, at the age of eighteen, he conducted from the harmonium the private premiere of <a href="http://en.instr.scorser.com/C/Tenor/Gioachino+Rossini/All/Popularity.html">Gioachino Rossini</a>'s <a href="http://en.instr.scorser.com/CC/Tenor/Gioachino+Rossini/Petite+messe+solennelle.html">Petite messe solennelle</a>.</div><div class="p">His condensed work, La Musique et les Musiciens, an overview of musical grammar and materials, continued to be reprinted years after his death. In it he characterised the particular characteristics of instruments and of each key, somewhat in the way <a href="http://en.instr.scorser.com/C/Tenor/Hector+Berlioz/All/Popularity.html">Berlioz</a> and <a href="http://en.instr.scorser.com/C/Tenor/Fran%c3%a7ois-Auguste+Gevaert/All/Popularity.html">Gevaert</a> (Traité d'orchestration, Gand, 1863, p. 189) had done:</div><div class="p">Major keys:</div><div class="p">Minor keys:</div><div class="p">His more popularized works discussed the music dramas of <a href="http://en.instr.scorser.com/C/Tenor/Richard+Wagner/All/Popularity.html">Richard Wagner</a>, summarised in Le Voyage artistique à Bayreuth.</div><div class="p">Lavignac edited the compendious Encyclopédie de la Musique.</div></body></html>