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</script><h1>Demetrius Constantine Dounis</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Demetrius+Constantine+Dounis/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Tenor</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Demetrius_Constantine_Dounis">Wikipedia</a><div class="p">Demetrius Constantine Dounis (also Demetrios), also known as D. C. Dounis (Greek: Δημήτριος Κωνσταντίνος Δούνης; c.1886 to 1894 – August 13, 1954), was an influential teacher of violin and string instrument technique, as well as violinist, violist, and mandolin player.</div><div class="p">Considerable uncertainty prevails on the subject of Dounis's early life, beginning with the date of his birth in Athens, variously given as 1886 (according to most library catalogues), 1893, or 1894. He is said to have performed his first violin recital at the age of 7, and to have toured the United States as a mandolinist at 14. In Athens, he participated in the famous Athenian Mandolinata, conducted by Nikolaos Lavdas. He studied under <a href="http://en.instr.scorser.com/C/Tenor/Franti%c5%a1ek+Ond%c5%99%c3%ad%c4%8dek/All/Popularity.html">František Ondříček</a> in Vienna], where he also took a medical degree, specializing in neurology and psychiatry. He also studied in Paris with César Thomson. After World War I, when he served as a doctor in the Greek army, he was appointed to the chair in violin at the State Conservatory of Thessaloniki, but soon established himself in the United States.</div><div class="p">Dounis focused his early medical career on treating professional musicians from the world's major symphonies. He would work with a musician for at least six months, observing the musician's technique, asking questions, and devising new exercises to indirectly address the problem. Dounis also wrote several instructional books. In his 1921 volume The Artist's Technique of Violin Playing, Dounis emphasized the importance of shifting and finger exercises. These were to develop the musician's mental map at the beginning of practice, after which scale drills would be more effective.</div></body></html>