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</script><h1>Edith Swepstone</h1><div class="hd"><a href="http://en.instr.scorser.com/C/All/Edith+Swepstone/All/Alphabeticly.html">All Compositions</a></div><div class="clear10"></div><h2>Compositions for: Tenor</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://en.wikipedia.org/wiki/Edith_Swepstone">Wikipedia</a><div class="p">Edith Mary Swepstone (circa 1885 – 1930) was an English composer and music teacher. She was born in Stepney, London, the daughter of a London solicitor. She studied music at the Guildhall School and later worked as a lecturer at the City of London School. She died in Tonbridge, Kent.</div><div class="p">She studied music at the Guildhall School in London, England and later worked as a lecturer at the City of London School. in 1895 she was giving music lectures at the City School of London.</div><div class="p">As a composer, Swepstone wrote early 20th-century orchestral music, chamber music, and songs. During the first quarter of the 20th century, she had many of her orchestral works performed by the Bournemouth Municipal Orchestra, the most by a single composer. Though the music is not located, 14 of Swepstone’s orchestral works were presented in a total of 24 performances, between 1899 and 1933. There are only two recorded instances of her orchestra music having been performed elsewhere; in March 1887 at Leyton (a movement from Symphony in G minor), and in February 1897 at Queen's Hall in London (Les Tenebres).</div><div class="p">At the South Place Concert Series, a weekly chamber music concert series in London, between 1887–1987, 1,121 works were performed and women composers make up for only 13 of those compositions. Swepstone’s piece, Piano Quintet in E minor, was performed a total of four times at the concert series. Swepstone’s influence is apparent in that, of all the pieces played at the series and written by women, over half were her compositions.</div><div class="p">In total, seven of her chamber music compositions were performed at the series. In addition to Piano Quintet E Minor, played four times, the following works were each performed once: Quintet D Hn & String Quartet, Quintet E-flat Pf and Wind, String Quartet Lyrical Cycle, Piano Trio D minor, Piano Trio G minor, Piano Trio A minor.</div><div class="p">Swepstone wrote chamber music, and also songs and choral music. Selected works include:</div><div class="p">Orchestral works</div><div class="p">· Daramona, symphonic poem, 1899</div><div class="p">· The Ice Maiden, suite, 1900</div><div class="p">· Symphony in G minor, 1902</div><div class="p">· Les Tenebres overture, 1903</div><div class="p">· Paolo and Francesca, prelude, 1904</div><div class="p">· Mors Janua Vitae, funeral march, 1906</div><div class="p">· The Wind in the Pines, symphonic poem, 1909</div><div class="p">· The Horn of Roland, overture, 1910</div><div class="p">· Moonrise on the Mountains, symphonic poem, 1912</div><div class="p">· Woods in April, symphonic poem, 1914</div><div class="p">· The Roll of Honour, march, 1916</div><div class="p">· Morte d’Arthur, symphonic poem, 1920</div><div class="p">· The Four Ships, suite, 1927</div><div class="p">Chamber works</div><div class="p">· Piano Quintet in F minor</div><div class="p">· Piano Quintet in E minor</div><div class="p">· Quintet D Hn & String Quartet</div><div class="p">· Quintet in E flat, Piano and Wind</div><div class="p">· String Quartet Lyrical Cycle</div><div class="p">· Piano Trio D minor</div><div class="p">· Piano Trio G minor</div><div class="p">· Piano Trio A minor</div><div class="p">Other works</div><div class="p">· Lament, for Violin and Piano</div><div class="p">· Requiem for Violoncello and Piano</div><div class="p">· Foreshadowings, with violoncello accompaniment</div></body></html>